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Paul Delvaux (1897 - 1994)

Nu Couché

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Watercolour and China ink on paper
12.8 x 21.3 cm (5 x 8 ⅜ inches)
Signed, P. Delvaux and inscribed upper middle
Executed circa 1969

+44 (0)20 7629 6662
  • Provenance

    Private collection, a gift from the artist
    Sotheby's, London, 28th March 1984
    Private collection, UK, acquired at the above 

  • Description

    The present work was painted on the reverse of the artist's letterhead paper. The letter, dated 18th September 1969 is addressed to Messieurs Peney and Gibey, a journalist and a photographer who collaborated on an article about Paul Delxaux published in Paris-Match.

    This work is accompanied by a certificate of authenticity issued by the Paul Delvaux Foundation which is signed by Martine Gautot Van Deun and dated 12th June 2018.

Artist's Biography

Belgian artist Paul Delvaux was born in Liège in eastern Belgium. Despite Delvaux’s desire to become an artist, his lawyer father encouraged him to train as an architect at the prestigious Académie Royale des Beaux-Arts in Brussels.

Thanks to private art tuition undertaken alongside his architectural studies, in 1925 Delvaux gained his first solo exhibition in Brussels. Heavily influenced by contemporary Expressionism and Surrealism, Delvaux was soon drawn to the ‘metaphysical’ paintings of Italian artist Giorgio de Chirico. On a chance visit to a museum of medical curiosities, Delvaux was moved by the sight of uncanny skeletons and haunting automatons – images and memories of which would provide his work with lifelong and evocative motifs.

Although most famous for his enigmatic female nudes set in dream-like landscapes, Delvaux - often compared to fellow Belgian surrealist René Magritte – did not in fact consider himself one of the surrealists, who were primarily concerned with the ‘interior logic’ of the unconscious mind. In developing his own unique iconography, Delvaux, instead, emphasised hallucinatory childhood readings of Classical Greek literature and the fictional fantasies of novelist Jules Verne.

In 1958 Delvaux was elected a member of the Académie Royale des Sciences, des Lettres et des Beaux-Arts de Belgique and, in 1965, became a director of his alma mater, the Académie Royale des Beaux-Arts in Brussels. To compliment his widely featured work in international museums across the world, the Paul Delvaux Museum opened on the south west coast of Belgium in 1982.

Paul Delvaux