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Eugène Boudin (1824 - 1898)

Étaples, Sortie des Barques de Pêche

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Oil on canvas
41 x 55 cm (16 ¹/₈ x 21 ³/₄ inches)
Signed and dated lower left, E Boudin 90

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  • Provenance

    Galerie Georges Petit, Paris, 24th May 1929
    Collection of Gustave Cahen, Paris, acquired from the above
    Galerie Marseille, Paris 
    Private collection, Paris 

  • Exhibitions

    Paris, Ecole des Beaux-Arts (Quai Malaquais), Exposition des OEuvres d'Eugène Boudin, 9th-30th January 1899, no. 296 
    Paris, Alfred Daber, Jongkind, Boudin, 1951, no. 26 (titled Flotille de Pêche au Large)

  • Literature

    Robert Schmit, Catalogue Raisonné de l'Oeuvre peint d'Eugène Boudin, 1824-1898, vol. 3, Imprimerie Union, Paris, 1973, illustrated p.25

  • Description

    Best known for his marine paintings, Eugène Boudin was a pioneer of outdoor painting and is regarded as one of the forerunners of the Impressionist movement. As the son of a sea captain, Boudin spent his early years working on his father’s steamboat in his hometown of Honfleur, in Normandy, which prompted a lifelong passion for the sea. Inspired by the en plein air approach pioneered by the artists of the Barbizon school, Boudin began working directly from nature, frequently visiting the coasts of Northern France, including Étaples, where the present work was executed in 1890. There he depicted animated scenes of ships at sea with dramatic skies, earning him the title ‘King of the skies,’ by Corot. Today, Boudin is remembered as an important influence on the early Impressionists and an artist who bridged the transition from 19th-century naturalism to late 19th century Impressionism. As well as being found at the Musée Eugène Boudin in Honfleur, his famous waterscapes can be found in the most prestigious museum collections worldwide.

Artist's Biography

Best known for his distinctive marine paintings, Eugène Louis Boudin was a pioneer of outdoor painting and is regarded as one of the forerunners of the Impressionist movement. As the son of a sea captain, Boudin spent his early years working on his father’s steamboat in his hometown of Honfleur, in Normandy, which prompted a lifelong passion for the sea. In 1835, his father moved to Le Havre to open a framing shop. Following in his father’s footsteps, Boudin later opened his own framing shop, where he met artists such as Jean-François Millet and Constant Troyon, whose work he exhibited in his shop and who encouraged Boudin to take up painting. By the age of twenty-two, Boudin decided to become a full-time painter and relocated to Paris where he studied artworks by visiting the Louvre.

Largely self-taught, Boudin’s artistic education resulted from his interaction with artists living or working in Paris at the time, including Dutch painter Johan Jongkind, who encouraged him to paint outdoors. It was in this period that he met several members of the Barbizon school including Théodore Rousseau and Jean-Baptiste-Camille Corot, whom he was introduced to by Millet. The artists of the Barbizon school painted landscapes and rural scenes and sometimes worked en plein air. Inspired by their approach and choice of subject, Boudin began working directly from nature. He often visited the coast of Normandy and Brittany, staying in Trouville or Deauville over the summer, and depicting animated scenes of ships at sea and local washerwomen and fishermen. Boudin set about capturing the light, weather and time of day in his paintings of harbours and the beaches of the Northern French coast. Indeed, his emotive depiction of skies earnt him the title ‘King of the skies,’ by Corot.

Throughout the 1860s, Boudin often finished his paintings in the studio, however, most of his later works were painted entirely en plein air. Discussing his methods, Boudin famously stated; "everything that is painted directly has a strength, a power, a vivacity of touch which one cannot recover in the studio." Boudin’s approach to painting anticipated the Impressionist movement and their desire to capture the transient effects of weather and light. Boudin’s influence on the Impressionist movement can be traced to his friendship with Claude Monet, whom he met in 1857 when Monet was 18. Boudin encouraged Monet to paint landscapes and observe the effects of light on water. In a letter to Frédéric Bazille while in Honfleur, Monet paid tribute to Boudin’s influence; ‘Boudin and Jongkind are here, we get on marvellously. There’s lots to be learned and nature begins to grow beautiful.’ In 1874, Boudin exhibited at the first Impressionist exhibition alongside Monet and his younger contemporaries. In the following years, Boudin preferred to submit his work at the official Salon but maintained close ties with the Impressionists.

Although Boudin enjoyed early commercial success, he received little recognition until 1888 when the French government bought some of his works to hang in the Luxembourg Gallery. The following year he was awarded a gold medal at the Exposition Universelle, and in 1892, at the age of 68, he was made a knight of the Légion d’Honneur. Today, Boudin is remembered as an important influence on the early Impressionists and an artist who bridged the transition from 19th-century naturalism to late 19th century Impressionism. Boudin’s work is highly collectable and he is recognised for his impact on the development of twentieth-century art. As well as being found at the Musée Eugène Boudin in Honfleur, his famous waterscapes can be found in the most prestigious museum collections worldwide including the National Gallery of Art in Washington, the Musée d’Orsay, and the National Gallery in London.

Eugène Boudin