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Paul Durand-Ruel, 1931
Alayer Collection (grand-daughter of Paul Durand-Ruel), by descent in 1949
Phillip’s Paris, 1992
Loiseau Schmitz, Saint Germain en Laye, 1993
Private collection, France
This work is accompanied by a certificate of authenticity from Philippe Piguet and will be included in the forthcoming catalogue raisonné.
Blanche Hoschedé-Monet's work was strongly influenced by her stepfather, Claude Monet. Her works are highly sought after by art collectors and as she was one of the very few successful female Impressionists. Winter scenes were explored repeatedly by the major Impressionist artists such as Claude Monet, Camille Pissarro or Alfred Sisley, all of whom embedded this genre in the long tradition of Western art. Bucolic, snow-covered settings offered them the perfect opportunity to study the effects of light, colour and reflection, while allowing them to respond subjectively to the landscapes. This painting reveals how the artist used the techniques of Impressionism to breathe life into winter scenes.
This original painting by Blanche Hoschedé-Monet is available for immediate purchase.
Born in Paris, Blanche was the daughter of Ernest Hoschedé, wealthy department store owner, collector of Impressionist paintings and important early patron of Claude Monet (later Blanche’s father-in-law). In 1876, her father commissioned Monet to paint decorative panels in the round drawing room of their home Château de Rottembourg at Montgeron near Paris. However in 1877 Ernest Hoschedé became bankrupt and his art collection was auctioned off. The Hoschedé family then moved into the home of Monet, his wife Camille, and their sons Jean and Michel. After the separation of Blanche’s parents and the death of Camille Monet in 1879, Blanche and her mother Alice continued living with Claude Monet. Claude and Alice went on living together until the death of Ernest in 1891 and married the following year.
Painting from the age of eleven, Blanche spent long hours en plein air with Claude Monet and visited the studio of Édouard Manet. Aged seventeen she became Monet's assistant and only student at Giverny in Normandy, often carrying his easel and canvases on a wheelbarrow, continuing to paint beside. During this period, painting trips were undertaken with the American expatriates Theodore Earl Butler and John Leslie Breck. Yet Monet halted a burgeoning romance that developed between Blanche and Breck whilst at the same time allowed Butler to marry Blanche’s sister Suzanne in 1892. In 1897 however Blanche married Monet’s eldest son (her step-brother) Jean Monet, who worked as a chemist for his uncle Léon Monet.
Most of Blanche's works were created in the Impressionist style at Giverny in between 1883 and 1897; often landscapes with trees and meadows beside the River Risle. Indeed, the art dealer Paul Durand-Ruel purchased Blanche’s painting Haystack that is currently on display at Giverny. Thanks to Monet’s encouragement, Blanche often exhibited her work at the Salon des Indépendants and the Salon de la Société des Artistes Rouennais. Today her work features in many private international collections and in several national museums in France.
Upon the death of her mother in 1911 and the protracted death of her husband in 1914, Blanche took over the care of her father-in-law and his household, watching over him as his eyesight began to fail. The politician and friend Georges Clemenceau called her Monet's "Blue Angel". During the 1920s, she painted on several occasions at Clemenceau's house on the west coast of France depicting the house, the garden and the Atlantic Ocean. After Monet's death in 1926, and for twenty years until her own in 1947, she took on the responsibility of the house and gardens at Giverny, and continued painting.
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