Lélia Pissarro, Contemporary (b. 1963 - )
- AVAILABLE ARTWORKS FOR SALE
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Lélia Pissarro, Contemporary (b. 1963 - )
Gold Charlotte
Mixed media and gold leaf on canvas
102 x 76 cm (40 ¹/₈ x 29 ⁷/₈ inches)
Signed and titled on the reverse
Executed in 2020 -
Lélia Pissarro, Contemporary (b. 1963 - )
Roger Howard at Ladywood
Acrylic, oil and gold powder on canvas
100 x 100 cm (39 ³/₈ x 39 ³/₈ inches)
Signed lower left, Lélia Pissarro
Executed in 2021 -
Lélia Pissarro, Contemporary (b. 1963 - )
Everything you Touch Turns to Gold
Acrylic and gold powder on canvas
146 x 114 cm (57 ¹/₂ x 44 ⁷/₈ inches)
Signed and titled on the reverse
Executed in 2018 -
Lélia Pissarro, Contemporary (b. 1963 - )
Cleopatra, Mistress of Julius Caesar and Mark Antony
Oil and gold leaf on canvas
100 x 100 cm (39 ³/₈ x 39 ³/₈ inches)
Signed lower right Lélia Pissarro.
Executed in 2020 -
Lélia Pissarro, Contemporary (b. 1963 - )
Abstract Composition in Blue & Gold 2
Acrylic and gold on canvas
61 x 50 cm (24 x 19 ³/₄ inches)
Signed and inscribed on the reverse
Executed in 2017 -
Lélia Pissarro, Contemporary (b. 1963 - )
Stiletto 1
Oil and diamond dust on canvas
22 x 16 cm (8 ⁵/₈ x 6 ¹/₄ inches)
Signed lower left, Lélia Pissarro- -
Lélia Pissarro, Contemporary (b. 1963 - )
J't'entends plus (I can't hear you ..... anymore)
Red pigment, black acrylic, gold powder on canvas
100 x 70 cm (39 ¼ x 27 ¼ inches)
Signed and titled on the reverse -
Lélia Pissarro, Contemporary (b. 1963 - )
DLKLD
Oil on canvas
50 x 61 cm (19 ³/₄ x 24 inches)
Signed lower right, Lélia Pissarro
Titled, signed and dated on the stretcher, Corfton March 2011
Signed and titled again on the reverse -
Lélia Pissarro, Contemporary (b. 1963 - )
Burning Desire
Acrylic, red pigment and gold powder on canvas
100 x 70 cm (39 ³/₈ x 27 ¹/₂ inches)
Signed lower right Lélia Pissarro
Signed, titled, dated and inscribed on the reverse
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Lélia Pissarro, Contemporary (b. 1963 - )
Tu es matinale aujourd’hui
Blue and gold acrylic and glitter on canvas
80 x 59.5 cm (31 ½ x 23 ⅜ inches)
Signed lower right, Lélia Pissarro P.C.
Inscribed on the reverse
Executed in 2008 -
Lélia Pissarro, Contemporary (b. 1963 - )
I Love You
Acrylic and gold on canvas
61 x 50 cm (24 x 19 ³/₄ inches)
Signed lower right, Lélia Pissarro-
Signed and titled twice on the reverse -
Lélia Pissarro, Contemporary (b. 1963 - )
Rhino sauvage sous la pluie, ta force ma taille
Acrylic, oil and resin on canvas
146 x 114 cm (57 ¹/₂ x 44 ⁷/₈ inches)
Signed lower left, Lélia Pissarro
Signed and titled on the reverse -
Lélia Pissarro, Contemporary (b. 1963 - )
For I have provided for myself a King among his sons
Acrylic and glitters on canvas
70 x 70 cm (27 ¹/₂ x 27 ¹/₂ inches)
Signed lower right, Lélia Pissarro
Signed, titled and dated 06 on the reverse -
Lélia Pissarro, Contemporary (b. 1963 - )
Audace
Oil and glitter on canvas
56 x 40.5 cm (22 x 16 inches)
Signed lower right, Lélia Pissarro
Signed Lélia Pissarro and titled Audace on the reverse
Inscribed on the edge, Lélia Pissarro. I.07.
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Lélia Pissarro, Contemporary (b. 1963 - )
Brave - Vigorous - Manful
Black and red acrylic, red glitter
121 x 126 cm (47 ⁵/₈ x 49 ⁵/₈ inches)
Signed, titled and dated on the reverse
Executed in 2007 -
Lélia Pissarro, Contemporary (b. 1963 - )
A Connection and a Bond
Mixed media on canvas
65 x 54 cm (25 ⅝ x 21 ¼ inches)
Signed lower right, Lélia Pissarro
Signed and titled on the reverse
Executed in 2008 -
Lélia Pissarro, Contemporary (b. 1963 - )
Ontology of Love (To my Muse)
Acrylic and resin on canvas
65 x 81 cm (25 ⁵/₈ x 31 ⁷/₈ inches)
Signed lower left, Lélia Pissarro
Inscribed on the reverse
Executed in 2008 -
Lélia Pissarro, Contemporary (b. 1963 - )
Dreams come true
Acrylic, pigment and gold powder on canvas
100 x 75 cm (39 ³/₈ x 29 ¹/₂ inches) -
Lélia Pissarro, Contemporary (b. 1963 - )
Liberté Interdite
Acrylic on canvas
115.5 x 85.5 cm (45 ½ x 33 ⅝ inches)
Signed lower right, Lélia Pissarro
Signed Lélia Pissarro and titled Liberté Interdite on the reverse
Executed in 2008 -
Lélia Pissarro, Contemporary (b. 1963 - )
And-Lia
Acrylic and gold powder on canvas
100 x 70 cm (39 ¼ x 27 ½ inches)
Signed lower left, Lélia Pissarro
Titled on the reverse And-Lia, signed Lélia Pissarro and inscribed IV-08 Corfton
Executed in 2008 -
Lélia Pissarro, Contemporary (b. 1963 - )
C’est moi qui te capture et qui te garde dans mes bras
Acrylic on canvas
89 x 59.5 cm (35 x 23 ⅜ inches)
Signed lower right, Lélia Pissarro
Inscribed on the reverse
Executed in 2009 -
Lélia Pissarro, Contemporary (b. 1963 - )
Humility
Oil and diamond dust on canvas
120 x 100 cm (47 ¼ x 39 ⅜ inches)
Signed lower right, Lélia Pissarro
Titled, signed, dated and inscribed on the reverse
Executed in 2007
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Lélia Pissarro, Contemporary (b. 1963 - )
I Love You
Acrylic and glitters on canvas
Triptych, each panel 80 x 30 cm (31 ¹/₂ x 11 ³/₄ inches); overall 80 x 90 cm (31 ¹/₂ x 35 ³/₈ inches)
Signed and titled on the reverse
Executed in 2007 -
Lélia Pissarro, Contemporary (b. 1963 - )
Memories
Oil on canvas
120 x 60 cm (47 ¹/₄ x 23 ⁵/₈ inches)
Signed lower right, Lélia Pissarro
Signed, titled and dated May 2013 on the reverse
Executed in 2013 -
Lélia Pissarro, Contemporary (b. 1963 - )
One Day
Oil on canvas
146 x 114 cm (57 ½ x 44 ⅞ inches)
Signed and titled on the reverse
Executed in 2008 -
Lélia Pissarro, Contemporary (b. 1963 - )
Art Meets Something but We're not Quite Sure What it is
Acrylic, gold leaf and resin on canvas
130 x 97.4 cm (38 ³/₈ x 51 ¹/₈ inches)
Signed and titled on the reverse -
Lélia Pissarro, Contemporary (b. 1963 - )
Blind folding
Red Pigment, black acrylic, gold powder on canvas
160 x 120 cm (63 x 47 ¼ inches)
Signed and titled on the reverse
Executed in 2008 -
Lélia Pissarro, Contemporary (b. 1963 - )
Hyde Park Corner
Acrylic and silver powder on canvas
100 x 70 cm (39 ⅜ x 27 ½ inches)
Signed lower right Lélia Pissarro
Titled Hyde Park Corner, signed Lélia Pissarro and dated IV-08 Corfton on the reverse -
Lélia Pissarro, Contemporary (b. 1963 - )
Libellule
Acrylic and silver dust on canvas
35 x 27 cm (13 ¾ x 10 ⅝ inches)
Signed lower right, Lélia Pissarro.
Titled and signed on the reverse
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Lélia Pissarro, Contemporary (b. 1963 - )
Eros
Acrylic, oil and resin on canvas
100 x 70 cm (39 ¼ x 27 ¼ inches)
Signed lower right Lélia Pissarro
Signed and titled on the reverse -
Lélia Pissarro, Contemporary (b. 1963 - )
Four of us
Tempera on paper
19 x 19 cm (7 ¹/₂ x 7 ¹/₂ inches)
Signed lower right, Lélia Pissarro
Titled and signed on the reverse -
Lélia Pissarro, Contemporary (b. 1963 - )
Two of us
Ink and tempera on paper
19 x 19 cm (7 ¹/₂ x 7 ¹/₂ inches)
Signed lower right, Lélia Pissarro
Titled and signed on the reverse -
Lélia Pissarro, Contemporary (b. 1963 - )
Three of us
Tempera on paper
19 x 19 cm (7 ¹/₂ x 7 ¹/₂ inches)
Signed lower right, Lélia Pissarro
Titled and signed on the reverse -
Lélia Pissarro, Contemporary (b. 1963 - )
Gold Monet
Tempera and gold on paper
21 x 14.7 cm (8 ¹/₄ x 5 ³/₄ inches)
Signed lower right, Lélia Pissarro
Executed in 2023 -
Lélia Pissarro, Contemporary (b. 1963 - )
Yellow Meadow
Pastel and pencil on paper
24 x 15 cm (9 ¹/₂ x 5 ⁷/₈ inches)
Signed lower right, Lélia Pissarro
Signed, titled and dated on the reverse, 16.III.2016
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Lélia Pissarro, Contemporary (b. 1963 - )
Monet Blue
Tempera and gold on paper
21 x 14.7 cm (8 ¹/₄ x 5 ³/₄ inches)
Signed lower right, Lélia Pissarro
Executed in 2023 -
Lélia Pissarro, Contemporary (b. 1963 - )
Lucky Palm
Tempera and gold on paper
18.7 x 14 cm (7 ³/₈ x 5 ¹/₂ inches)
Signed lower left, Lélia Pissarro
Titled and signed on the reverse -
Lélia Pissarro, Contemporary (b. 1963 - )
Amalia sous la neige
Tempera and gold on paper
21 x 14.7 cm (8 ¹/₄ x 5 ³/₄ inches)
Signed lower right, Lélia Pissarro
Executed in 2023 -
Lélia Pissarro, Contemporary (b. 1963 - )
Thank you, Dotahn
Tempera, watercolour and gold leaf and powder on paper
26 x 17 cm (10 ¹/₄ x 6 ³/₄ inches)
Signed lower left, Lélia Pissarro.
Titled and signed on the reverse
Executed in 2023 -
Lélia Pissarro, Contemporary (b. 1963 - )
Les Fougères de l'Ombre
Tempera on paper
13 x 20.5 cm (5 ¹/₈ x 8 ¹/₈ inches)
Signed lower right, Lélia Pissarro
Executed in 2020 -
Lélia Pissarro, Contemporary (b. 1963 - )
You Make My Head Spin
Tempera on paper
19.5 x 22 cm (7 ⁵/₈ x 8 ⁵/₈ inches)
Signed lower left, Lélia Pissarro
Executed in 2020 -
Lélia Pissarro, Contemporary (b. 1963 - )
Infiniment Tendre
Tempera on paper
14 x 21.5 cm (5 ¹/₂ x 8 ¹/₂ inches)
Signed lower left, Lélia Pissarro
Executed in 2020 -
Lélia Pissarro, Contemporary (b. 1963 - )
La Rivière de Lyora
Pastel on paper
13 x 19 cm (5 ¹/₈ x 7 ¹/₂ inches)
Signed lower left, Lélia Pissarro
Executed in 2020 -
Lélia Pissarro, Contemporary (b. 1963 - )
Quand le Soleil se Couche et Mes Idées se Levent
Tempera on paper
20 x 24 cm (7 ⁷/₈ x 9 ¹/₂ inches)
Signed lower right, Lélia Pissarro
Executed in June 2019 -
Lélia Pissarro, Contemporary (b. 1963 - )
La Rivière de Dotahn
Pastel on paper
12.5 x 19 cm (4 ⁷/₈ x 7 ¹/₂ inches)
Signed lower right, Lélia Pissarro
Executed in 2020 -
Lélia Pissarro, Contemporary (b. 1963 - )
All day and all night
Acrylic and silver paint on paper
23 x 30 cm (9 x 11 ³/₄ inches)
Signed lower right, Lélia Pissarro. -
Lélia Pissarro, Contemporary (b. 1963 - )
Sunny Side Up
Tempera, ink and silver paint on paper
21.5 x 28 cm (8 ¹/₂ x 11 inches)
Signed lower right, Lélia Pissarro
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Lélia Pissarro, Contemporary (b. 1963 - )
Green Bodies
Tempera and gold paint on paper
23 x 30 cm (9 x 11 ³/₄ inches)
Signed lower right, Lélia Pissarro -
Lélia Pissarro, Contemporary (b. 1963 - )
Abstract Composition
Tempera and silver paint on paper
20 x 27 cm (7 ⁷/₈ x 10 ⁵/₈ inches)
Signed lower right, Lélia Pissarro -
Lélia Pissarro, Contemporary (b. 1963 - )
Step into Life
Watercolour, ink and gold on paper
21.8 x 29.5 cm (8 ⁵/₈ x 11 ⁵/₈ inches)
Signed lower right, Lélia Pissarro
Inscribed upper and centre left -
Lélia Pissarro, Contemporary (b. 1963 - )
My Child
Oil, gold paint, glitter and pencil on paper
13 x 15 cm (5 ¹/₈ x 5 ⁷/₈ inches)
Signed lower right, Lélia Pissarro
For more available works please contact us on stern@pissarro.com or +44 (0)20 7629 6662.
Born in Paris in 1963, Lélia is the third and youngest child of Hugues-Claude and Katia Pissarro. She was raised, however, in the loving care of her grandparents Paulémile Pissarro, Camille’s youngest son, and his wife Yvonne, in Clécy, Normandy.
From a young age, Lélia’s interest in drawing and painting was nurtured by her grandfather while she sat beside him at his easel, captivated. He taught her the fundamental Impressionist and Post-Impressionist techniques he had learnt from his father and brothers before him and watched as her skills blossomed rapidly. Standing readily on the shoulders of giants, Lélia sold her first painting to New York art dealer Wally Findlay, when she was only four years of age.
When Lélia turned 11 she moved to Paris to live with her parents where, with the guiding support of her father’s teachings she began to broaden her skill sets. Under the watchful eye of her father Hughes Claude Pissarro, she became exposed to new environments and learnt to experiment with abstract styles and subjects. At age 14 Lélia submitted some of these works to the exhibition ‘Salon de la Jeune Peinture’ at the Luxembourg Museum in Paris. Being underage, however, she had to submit these works secretly under the pseudonym Rachel Manzana Pomié.
With her parents dividing their time between France and California, Lélia found herself moving between Tours, Paris and San Francisco, all the while studying fine art and psychology at the University des Beaux Arts. She eventually settled in Paris to teach art at the Moria School and study oil painting conservation under the guidance of a teacher from the Louvre museum. During this time she began to present her work in solo exhibitions in Paris, Lyon, Mulhouse and Rennes.
In 1988 Lélia married English art dealer David Stern and moved to London. Their three children Kalia, Lyora and Dotahn, all paved their own way in the art world. From 1995 Lélia participated in a series of exhibitions entitled Pissarro – The Four Generations, which were held in galleries in London, Tel Aviv, Boston, Austin, San Francisco, Cleveland, Milwaukee and Los Angeles as well as a number of museums in Japan in 1998 and the Museum of Art in Fort Lauderdale, Florida in 2000. In 1999 Lélia also became one of the founders of the Sorteval Press, a group of artists dedicated to developing techniques in etching and printmaking. Their first exhibition took place at the Mall Gallery in London.
In 2005 following a long break in painting because of Cancer, Lélia started a journey into modern art creating a number of different series: Circles, Shoes, Animals, exploring these until she reached the point of abstraction and minimalism. Developing innovative techniques, she began incorporating in her work new materials such as gold, wax and encaustic paint.
To coincide with a major exhibition at Stern Pissarro gallery in 2010 a book entitled The Colours of Silence was published on her entire career, documenting the steps in Lélia’s life story while offering a retrospective view of her works which amply attest to her artistic diversity and sustained spirit of adventure.
Working today from her London studio located by Richmond Park and the river Thames, Lélia upholds the legacy of painting en plein-air while simultaneously continuing to explore modern techniques. She works dedicatedly on a selection of different series all borne out of her home studio - a carefully crafted space designed to meet her evolving requirements.
Besides her work as a painter, today Lélia is also a partner in Stern Pissarro Gallery and is the official expert for the work of her grandfather Paulémile Pissarro, as well her great uncles Manzana and Ludovic Rodo Pissarro. Amidst all this, Lélia still finds a way to make time to devote herself to another great passion, teaching.
Read more
From a young age, Lélia’s interest in drawing and painting was nurtured by her grandfather while she sat beside him at his easel, captivated. He taught her the fundamental Impressionist and Post-Impressionist techniques he had learnt from his father and brothers before him and watched as her skills blossomed rapidly. Standing readily on the shoulders of giants, Lélia sold her first painting to New York art dealer Wally Findlay, when she was only four years of age.
When Lélia turned 11 she moved to Paris to live with her parents where, with the guiding support of her father’s teachings she began to broaden her skill sets. Under the watchful eye of her father Hughes Claude Pissarro, she became exposed to new environments and learnt to experiment with abstract styles and subjects. At age 14 Lélia submitted some of these works to the exhibition ‘Salon de la Jeune Peinture’ at the Luxembourg Museum in Paris. Being underage, however, she had to submit these works secretly under the pseudonym Rachel Manzana Pomié.
With her parents dividing their time between France and California, Lélia found herself moving between Tours, Paris and San Francisco, all the while studying fine art and psychology at the University des Beaux Arts. She eventually settled in Paris to teach art at the Moria School and study oil painting conservation under the guidance of a teacher from the Louvre museum. During this time she began to present her work in solo exhibitions in Paris, Lyon, Mulhouse and Rennes.
In 1988 Lélia married English art dealer David Stern and moved to London. Their three children Kalia, Lyora and Dotahn, all paved their own way in the art world. From 1995 Lélia participated in a series of exhibitions entitled Pissarro – The Four Generations, which were held in galleries in London, Tel Aviv, Boston, Austin, San Francisco, Cleveland, Milwaukee and Los Angeles as well as a number of museums in Japan in 1998 and the Museum of Art in Fort Lauderdale, Florida in 2000. In 1999 Lélia also became one of the founders of the Sorteval Press, a group of artists dedicated to developing techniques in etching and printmaking. Their first exhibition took place at the Mall Gallery in London.
In 2005 following a long break in painting because of Cancer, Lélia started a journey into modern art creating a number of different series: Circles, Shoes, Animals, exploring these until she reached the point of abstraction and minimalism. Developing innovative techniques, she began incorporating in her work new materials such as gold, wax and encaustic paint.
To coincide with a major exhibition at Stern Pissarro gallery in 2010 a book entitled The Colours of Silence was published on her entire career, documenting the steps in Lélia’s life story while offering a retrospective view of her works which amply attest to her artistic diversity and sustained spirit of adventure.
Working today from her London studio located by Richmond Park and the river Thames, Lélia upholds the legacy of painting en plein-air while simultaneously continuing to explore modern techniques. She works dedicatedly on a selection of different series all borne out of her home studio - a carefully crafted space designed to meet her evolving requirements.
Besides her work as a painter, today Lélia is also a partner in Stern Pissarro Gallery and is the official expert for the work of her grandfather Paulémile Pissarro, as well her great uncles Manzana and Ludovic Rodo Pissarro. Amidst all this, Lélia still finds a way to make time to devote herself to another great passion, teaching.