Ludovic-Rodo Pissarro (1878 - 1952)
- AVAILABLE ARTWORKS FOR SALE
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Ludovic-Rodo Pissarro (1878 - 1952)Le Collier de Perles
Oil on canvas
61 x 50 cm (24 x 19 ⅝ inches)
Signed and dated lower right, Ludovic Rodo 1927 -
Ludovic-Rodo Pissarro (1878 - 1952)Femme à la cravatte
Oil on canvas
65 x 54 cm (25 ⁵/₈ x 21 ¹/₄ inches)
Signed lower right, Ludovic Rodo
Executed circa 1910 -
Ludovic-Rodo Pissarro (1878 - 1952)Portrait of a Woman
Oil on canvas
55 x 46 cm (21 ⁵/₈ x 18 ¹/₈ inches)
Signed lower right, Ludovic Rodo
Executed circa 1906 -
Ludovic-Rodo Pissarro (1878 - 1952)Nu au canapé bleu
Oil on canvas
46 x 38 cm (18 ¹/₈ x 15 inches)
Signed lower left, Ludovic Rodo
Executed circa 1910
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Ludovic-Rodo Pissarro (1878 - 1952)La Brune au Tableau de Nu
Oil on canvas
60 x 81.5 cm (23 ⁵/₈ x 32 ¹/₈ inches)
Signed lower left Ludovic Rodo
Executed circa 1910 -
Ludovic-Rodo Pissarro (1878 - 1952)Nu Assise
Oil on canvas
55 x 46 cm (21 ⁵/₈ x 18 ¹/₈ inches)
Signed lower left, Ludovic Rodo
Executed circa 1910 -
Ludovic-Rodo Pissarro (1878 - 1952)Cabaret Dancers
Oil on canvas
51.8 x 38 cm (20 ³/₈ x 15 inches)
Signed lower left, Ludovic Rodo
Executed circa 1906 -
Ludovic-Rodo Pissarro (1878 - 1952)Cabaret Dancers
Oil on panel
46 x 55 cm (18 ⅛ x 21 ⅝ inches)
Signed lower left, Ludovic Rodo
Executed circa 1906 -
Ludovic-Rodo Pissarro (1878 - 1952)Danseuse au Tabarin
Oil on canvas
41 x 33 cm (16 ⅛ x 13 inches)
Signed lower left, L.Rodo
Executed circa 1904 -
Ludovic-Rodo Pissarro (1878 - 1952)Uxbridge Road, London
Watercolour on paper
23.5 x 31 cm (9 ¹/₄ x 12 ¹/₄ inches)
Titled and dated lower left; initialled and inscribed lower right, à Lucien Pissarro
Executed in 1908 -
Ludovic-Rodo Pissarro (1878 - 1952)Bretonne sous un Arbre
Oil on board
33 x 41 cm (13 x 16 ⅛ inches)
Signed and dated lower right Ludovic Rodo 1903 -
Ludovic-Rodo Pissarro (1878 - 1952)La Fête Foraine
Watercolour and charcoal on paper
49.4 x 64.6 cm (19 ½ x 25 ⅜ inches)
Signed with Estate stamp (monogram) lower right
Executed circa 1906 -
Ludovic-Rodo Pissarro (1878 - 1952)Manoir à Lyons-la-Forêt
Watercolour and pencil on paper
23.5 x 31.5 cm (9 ¹/₄ x 12 ³/₈ inches)
Signed and inscribed lower right
Executed in the 1930s -
Ludovic-Rodo Pissarro (1878 - 1952)City View
Watercolour and ink on paper
17.8 x 22.9 cm (7 x 9 inches)
Signed with Estate stamp
Executed circa 1904 -
Ludovic-Rodo Pissarro (1878 - 1952)La Maison Rose, Les Andelys
Watercolour, ink and pencil on paper
27.2 x 37 cm (10 ³/₄ x 14 ⁵/₈ inches)
Signed and titled lower right
Executed circa 1930 -
Ludovic-Rodo Pissarro (1878 - 1952)Paysage de Rivière
Watercolour on paper
28.5 x 38.6 cm (11 ¼ x 15 ¼ inches)
Signed with Estate stamp lower right Ludovic Rodo
Executed circa 1930
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Ludovic-Rodo Pissarro (1878 - 1952)La Seine aux Andelys
Watercolour on paper
22 x 29 cm (8 ⁵/₈ x 11 ³/₈ inches)
Signed lower left, Ludovic Rodo
Executed circa 1930 -
Ludovic-Rodo Pissarro (1878 - 1952)Vue des Andelys (Château Gaillard)
Watercolour on paper
28.2 x 38 cm (11 ⅛ x 15 inches)
Signed lower right, Ludovic Pissarro
Executed circa 1930 -
Ludovic-Rodo Pissarro (1878 - 1952)Grand Arbre dans la Sente
Watercolour and ink on paper
28 x 38 cm (11 x 15 inches)
Signed lower right, Ludovic Rodo
Inscribed lower left, Grand Arbre dans la Sente
Executed circa 1910 -
Ludovic-Rodo Pissarro (1878 - 1952)Bedford Park
Watercolour on paper
24.5 x 38 cm (9 ⅝ x 15 inches)
Signed, inscribed and dated lower left, Bedford Park 1928 Ludovic Rodo -
Ludovic-Rodo Pissarro (1878 - 1952)Les Andelys
Watercolour and ink on paper
28 x 38 cm (11 x 15 inches)
Inscribed, dated and signed lower left, Les Andelys 1927 Ludovic Rodo -
Ludovic-Rodo Pissarro (1878 - 1952)Étang de Cernay
Watercolour and pencil on paper
24.5 x 35.5 cm (9 ⅝ x 13 ⅝ inches)
Inscribed and dated lower right, Étang de Cernay 12 Aug 05
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Ludovic-Rodo Pissarro (1878 - 1952)Landscape with Haystacks
Watercolour on paper
15 x 34 cm (5 ⁷/₈ x 13 ³/₈ inches)
Signed with Estate stamp (initials) lower right, LR
Executed circa 1900 -
Ludovic-Rodo Pissarro (1878 - 1952)Paysage de l'Aven
Watercolour and pencil on paper
27 x 38 cm (10 ⅝ x 15 inches)
Signed lower right, Ludovic Rodo
Executed circa 1904
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Ludovic-Rodo Pissarro (1878 - 1952)Draveil
Watercolour and pencil on paper
24 x 32 cm (9 ½ x 12 ⅝ inches)
Signed and inscribed lower right, Ludovic Rodo Draveil -
Ludovic-Rodo Pissarro (1878 - 1952)Alençon
Watercolour on paper
22 x 31 cm (8 ⁵/₈ x 12 ¹/₄ inches)
Signed with Estate stamp lower left, LR
Inscribed and dated lower right, Alençon 1909 -
Ludovic-Rodo Pissarro (1878 - 1952)Maison au Bord de Chemin
Watercolour and ink on paper
27 x 36.7 cm (10 ⁵/₈ x 14 ¹/₂ inches)
Signed with Estate stamp, lower right -
Ludovic-Rodo Pissarro (1878 - 1952)Paysage
Watercolour on paper
28 x 36 cm (11 x 14 ⅛ inches)
Signed lower right, Ludovic Rodo
Executed circa 1920 -
Ludovic-Rodo Pissarro (1878 - 1952)Paysage Normand, Port en Bessin
Watercolour and ink on paper
23.5 x 30 cm (9 ¹/₄ x 11 ³/₄ inches)
Signed and dated lower right, Ludovic Rodo 1914 -
Ludovic-Rodo Pissarro (1878 - 1952)Paysage à Chippenfield
Watercolour and ink on paper
23 x 33 cm (9 x 13 inches)
Signed, titled and dated lower right
Executed in 1914 -
Ludovic-Rodo Pissarro (1878 - 1952)La Celle les Bordes
Watercolour on paper
35 x 25 cm (13¾ x 9⅞ inches)
Signed lower left, Ludovic Rodo
Inscribed and dated lower right, La Celle les Bordes Mai 1905 -
Ludovic-Rodo Pissarro (1878 - 1952)Paysage Parisien
Watercolour on paper
20.9 x 17.7 cm (8 ¹/₄ x 7 inches)
Signed with Estate stamp lower right -
Ludovic-Rodo Pissarro (1878 - 1952)Le Moulin de la Galette
Watercolour and ink on paper
21 x 15.7 cm (8 ¼ x 6 ¼ inches)
Signed with Estate stamp and inscribed Elisabeth lower right
Executed circa 1904 -
Ludovic-Rodo Pissarro (1878 - 1952)Bad Form in Dress
Watercolour and ink on paper
17.5 x 19 cm (6 ⁷/₈ x 7 ¹/₂ inches)
Initialled lower left, L.R.
Executed circa 1918 -
Ludovic-Rodo Pissarro (1878 - 1952)Moissonneurs à Blarimon
Watercolour and ink on paper
26.4 x 37 cm (10 ³/₈ x 14 ⁵/₈ inches)
Signed lower left, Ludovic Rodo.
Executed in 1931 -
Ludovic-Rodo Pissarro (1878 - 1952)Back from India
Watercolour and ink on paper
21.5 x 18 cm (8 ¹/₂ x 7 ¹/₈ inches)
Initialled and titled lower left
Executed circa 1918 -
Ludovic-Rodo Pissarro (1878 - 1952)Le Can Can
Lithograph 21.8 x 26.8 cm (8 ⁵/₈ x 10 ¹/₂ inches)Studio stamped and numbered 8/12 -
Ludovic-Rodo Pissarro (1878 - 1952)Les Danseuses
Watercolour ink on paper
18 x 25 cm (7 ¹/₈ x 9 ⁷/₈ inches)
Signed with Estate stamp lower left
Executed circa 1906 -
Ludovic-Rodo Pissarro (1878 - 1952)Study of a Dancer and a Lady
Watercolour and pencil on paper
21 x 15.7 cm (8 ¼ x 6 ¼ inches)
Signed with Estate stamp lower right
Executed circa 1905 -
Ludovic-Rodo Pissarro (1878 - 1952)Les Deux Femmes Élégantes
Watercolour and pencil on paper
21.8 x 14.7 cm (8 ⁵/₈ x 5 ³/₄ inches)
Signed with Estate stamp (monogram) lower right
Executed circa 1904 -
Ludovic-Rodo Pissarro (1878 - 1952)The Cabaret
Watercolour and ink on paper
25 x 18.8 cm (9 ⁷/₈ x 7 ³/₈ inches)
Stamped lower right, Ludovic Rodo
Executed circa 1906 -
Ludovic-Rodo Pissarro (1878 - 1952)Les Élégantes
Watercolour and pencil on paper
15.8 x 11.1 cm (6 ¹/₄ x 4 ³/₈ inches)
Signed with initials lower right
Executed circa 1904 -
Ludovic-Rodo Pissarro (1878 - 1952)Nude Reading
Black and colour pencil on paper
33 x 25 cm (13 x 9 ⅞ inches)
Signed lower right, L.Rodo -
Ludovic-Rodo Pissarro (1878 - 1952)Place Dauphine
Watercolour and ink on paper
21 x 15.7 cm (8 ¼ x 6 ¼ inches)
Signed with Estate stamp lower left
Inscribed lower right, Place Dauphine
Executed circa 1903 -
Ludovic-Rodo Pissarro (1878 - 1952)Bottoms up!
Pen and ink on paper
14.5 x 10.3 cm (5 ³/₄ x 4 inches)
Signed with artist’s initials lower left -
Ludovic-Rodo Pissarro (1878 - 1952)Nude
Monotype
63.5 x 46 cm (25 x 18 ⅛ inches)
Signed lower left, Ludovic Rodo -
Ludovic-Rodo Pissarro (1878 - 1952)Nu Assise
Charcoal on paper
31.3 x 24.2 cm (12 ⅜ x 9 ½ inches)
Signed lower right, L.Rodo -
Ludovic-Rodo Pissarro (1878 - 1952)Still Life
Charcoal on paper
28.4 x 24.3 cm (11 ⅛ x 9 ⅝ inches)
Signed lower right, L. Rodo -
Ludovic-Rodo Pissarro (1878 - 1952)Kerfany
Wood engraving
10.9 x 13.9 cm (4 ¹/₄ x 5 ¹/₂ inches)
Initialled and titled in the plate
Signed lower right, Ludovic Rodo and numbered lower left, 14 -
Ludovic-Rodo Pissarro (1878 - 1952)Still Life
Wood engraving
14.5 x 10.8 cm (5 ³/₄ x 4 ¹/₄ inches)
Initialed LR in the plate -
Ludovic-Rodo Pissarro (1878 - 1952)La Laboureuse
Ink on paper
7 x 9 cm (2 ³/₄ x 3 ¹/₂ inches)
Initialled lower right, L.R. -
Ludovic-Rodo Pissarro (1878 - 1952)Rotten Row (Hyde Park)
Wood engraving
13.5 x 12.5 cm (5 ¼ x 4 ⅞ inches)
Initialed and titled in the plate
Executed circa 1917 -
Ludovic-Rodo Pissarro (1878 - 1952)Greek Street
Wood engraving
8 x 9 cm (3 ¹/₈ x 3 ¹/₂ inches)
Initialled and titled in the plate
Signed lower right, Ludovic-Rodo and numbered lower left, 7
Executed in 1917 -
Ludovic-Rodo Pissarro (1878 - 1952)York Road
Wood engraving
13.2 x 9 cm (5 ¹/₄ x 3 ¹/₂ inches)
Initialed and titled in the plate, signed lower right, Ludovic Rodo and numbered lower left, 17
Executed circa 1918 -
Ludovic-Rodo Pissarro (1878 - 1952)The Grim Reaper
Colour woodcut
17 x 14.3 cm (6 ³/₄ x 5 ⁵/₈ inches)
Initialled in the plate lower right, LR -
Ludovic-Rodo Pissarro (1878 - 1952)Oval Portrait
Wood engraving
15.1 x 11.3 cm (6 x 4¹/₂ inches)
Initialed, inscribed and dated 1918 in the plate
Signed lower right, Ludovic Rodo and numbered lower left, 5
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Ludovic-Rodo Pissarro (1878 - 1952)Posies for the Ladies
Lithograph
25.5 x 22.5 cm (10 x 8 ⅞ inches)
Stamped with initials lower right and numbered lower left 6
Executed circa 1904
For more available works please contact us on stern@pissarro.com or +44 (0)20 7629 6662.
Ludovic-Rodolphe Pissarro, born in Paris in 1878, was Camille Pissarro’s fourth son. Encouraged by his father, he began drawing from nature at an early age. He was familiarly known as “Rodo” and generally signed his works "Ludovic-Rodo", or early on in his career simply "Rodo".
The impact of Camille’s art and teaching on Rodo was considerable. His artistic production encompassed a wide range of media, including oil painting, tempera, watercolour, gouache, wood engraving, drawing and lithography. Rodo exhibited regularly at the Salon des Indépendants over a forty-year period.
In 1894, at the age of sixteen, Rodo published his first wood engravings in the anarchist journal, Le Père Peinard. When Camille left France for the safety of Belgium during the anarchist upheavals of the same year, Rodo joined him there.
Rodo moved into his first studio in Montmartre with his brother Georges in 1898. Works of this early important period until just after the death of his father in 1903 were post-impressionist and clearly painted under the influence of his father.
By 1904 living in Paris, he found the nightlife and the habitués of the cafes, theatres, circuses and cabarets compelling subjects for his work and changed dramatically the style of his painting, affiliating himself to the Fauve artists. Rodo became close to artists such as Kees Van Dongen, Maurice de Vlaminck and Raoul Dufy. In 1905 he participated in the first Fauve exhibition at the Salon des Indépendants. In 1907 he visited Van Dongen in Rotterdam and the two artists continued to paint together, something they often did in Paris.
In 1914 he married, though he never had children. Later that year at the outbreak of the War Rodo moved to England. Over the next seven years he lived mainly in and around West London. He worked closely with his brother Lucien to establish in 1915 the Monarro Group, formed with the aim of exhibiting work by contemporary artists inspired by Impressionism. Many of the works produced by Rodo while he was in England were of London landmarks but, he was also interested in the urbanisation of West London. After 1921, when Rodo had already returned to France, he divided his time between Paris and Les Andelys in Normandy, living and working closely with his elder brother Georges Manzana.
Despite his rich artistic heritage and his achievements as an artist, Rodo is perhaps best remembered for his contribution to art history. For ten years he researched and compiled a catalogue of his father’s paintings – a project that was finally published in two volumes in 1939 and the first catalogue raisonné of Camille Pissarro’s paintings.
Rodo enjoyed a rich career travelling extensively painting and exhibiting throughout Normandy, Brittany, Paris, London, the south coast of England, Jersey, Rotterdam, Germany, and Belgium.
His works can be found in many museums including the Ashmolean Museum in Oxford and the Museum of Fine Art in Boston.
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The impact of Camille’s art and teaching on Rodo was considerable. His artistic production encompassed a wide range of media, including oil painting, tempera, watercolour, gouache, wood engraving, drawing and lithography. Rodo exhibited regularly at the Salon des Indépendants over a forty-year period.
In 1894, at the age of sixteen, Rodo published his first wood engravings in the anarchist journal, Le Père Peinard. When Camille left France for the safety of Belgium during the anarchist upheavals of the same year, Rodo joined him there.
Rodo moved into his first studio in Montmartre with his brother Georges in 1898. Works of this early important period until just after the death of his father in 1903 were post-impressionist and clearly painted under the influence of his father.
By 1904 living in Paris, he found the nightlife and the habitués of the cafes, theatres, circuses and cabarets compelling subjects for his work and changed dramatically the style of his painting, affiliating himself to the Fauve artists. Rodo became close to artists such as Kees Van Dongen, Maurice de Vlaminck and Raoul Dufy. In 1905 he participated in the first Fauve exhibition at the Salon des Indépendants. In 1907 he visited Van Dongen in Rotterdam and the two artists continued to paint together, something they often did in Paris.
In 1914 he married, though he never had children. Later that year at the outbreak of the War Rodo moved to England. Over the next seven years he lived mainly in and around West London. He worked closely with his brother Lucien to establish in 1915 the Monarro Group, formed with the aim of exhibiting work by contemporary artists inspired by Impressionism. Many of the works produced by Rodo while he was in England were of London landmarks but, he was also interested in the urbanisation of West London. After 1921, when Rodo had already returned to France, he divided his time between Paris and Les Andelys in Normandy, living and working closely with his elder brother Georges Manzana.
Despite his rich artistic heritage and his achievements as an artist, Rodo is perhaps best remembered for his contribution to art history. For ten years he researched and compiled a catalogue of his father’s paintings – a project that was finally published in two volumes in 1939 and the first catalogue raisonné of Camille Pissarro’s paintings.
Rodo enjoyed a rich career travelling extensively painting and exhibiting throughout Normandy, Brittany, Paris, London, the south coast of England, Jersey, Rotterdam, Germany, and Belgium.
His works can be found in many museums including the Ashmolean Museum in Oxford and the Museum of Fine Art in Boston.
