Georges Manzana Pissarro (1871 - 1961)
- AVAILABLE ARTWORKS FOR SALE
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Georges Manzana Pissarro (1871 - 1961)
Petit Lavoir du Pont Pierre, Morêt-sur-Loing
Oil on canvas
54.5 x 65.5 cm (21 ¹/₂ x 25 ³/₄ inches)
Signed and dated lower left, G Manzana 1902
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Georges Manzana Pissarro (1871 - 1961)
Pont du Chemin de Fer à Moret
Oil on canvas
54.5 x 65.2 cm (21 ¹/₂ x 25 ⁵/₈ inches)
Signed lower right, manzana.
Titled and date on the stretcher
Executed in 1903
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Georges Manzana Pissarro (1871 - 1961)
La Petite Rivière Vezillon
Oil on board
38 x 46 cm (15 x 18 ¹/₈ inches)
Signed lower left, manzana. Pissarro
Executed circa 1935 -
Georges Manzana Pissarro (1871 - 1961)
Péniches sur le Loing
Oil on canvas
54 x 65 cm (21 ¼ x 25 ½ inches)
Signed and dated lower left, G. Manzana 1902 -
Georges Manzana Pissarro (1871 - 1961)
La Plage aux Andelys
Oil on board
23.7 x 32.9 cm (9 ⅓ x 13 inches)
Signed lower left, Manzana Pissarro
Executed circa 1930 -
Georges Manzana Pissarro (1871 - 1961)
Le Port de Martigues
Oil on canvas
38 x 46 cm (15 x 18 ¹/₈ inches)
Signed and dated lower left, G. Manzana. 1902 -
Georges Manzana Pissarro (1871 - 1961)
Toits Rouges à Menton
Oil on board
40 x 56.5 cm (15 ¾ x 21 ⅞ inches)
Signed and dated lower left, Manzana Pissarro 1953 -
Georges Manzana Pissarro (1871 - 1961)
Bretonne à la Vache
Oil on panel
54 x 65 (21 ¹/₄ x 25 ⁵/₈ inches)
Signed and dated lower left, Manzana 1929 Pissarro
Inscribed lower left, Pont Aven -
Georges Manzana Pissarro (1871 - 1961)
Brume et Soleil du Matin (The Seine at Les Andelys)
Oil on board
38 x 54.8 cm (15 x 21 ⅝ inches)
Signed lower left, Manzana Pissarro
Titled and signed on the reverse
Executed circa late 1920s -
Georges Manzana Pissarro (1871 - 1961)
Femme Mettant son Bas
Oil on canvas
100 x 56 cm (39 ⅜ x 22 inches)
Signed and dated lower left G. Manzana 1905 -
Georges Manzana Pissarro (1871 - 1961)
Le Jardin de l'Artiste, l'Annonciade, Menton
Oil on board
46 x 38 cm (18 ¹/₈ x 15 inches)
Signed lower right, manzana. Pissarro
Executed circa 1950 -
Georges Manzana Pissarro (1871 - 1961)
Baigneuses en Bord de Rivière
Oil on cardboard
98.2 x 79.4 cm (38 ⁵/₈ x 31 ¹/₄ inches)
Signed and dated lower left, Manzana 1910 -
Georges Manzana Pissarro (1871 - 1961)
Deux Baigneuses dans un Paysage
Oil on canvas
38 x 46 cm (15 x 18 ⅛ inches)
Signed and dated lower left, Manzana Pissarro 55 -
Georges Manzana Pissarro (1871 - 1961)
Femmes au Paon
Mixed media with gouache, gold and silver highlights and charcoal on paper
22.5 x 29.5 cm (8 ⁷/₈ x 11 ⁵/₈ inches)
Signed lower left Manzana-Pissarro.
Executed circa 1910 -
Georges Manzana Pissarro (1871 - 1961)
Baigneuses avec cygne
Oil on panel
30 x 37.5 cm (11 ³/₄ x 14 ³/₄ inches)
Signed lower right, manzana. Pissarro.
Executed circa 1938 -
Georges Manzana Pissarro (1871 - 1961)
L’Orientale à la Mandoline
Mixed media with gold on paper
31.5 x 41.5 cm (12 ⅜ x 16 ⅜ inches)
Signed lower right, Manzana
Executed in 1910 -
Georges Manzana Pissarro (1871 - 1961)
Femme à la mandoline
Mixed media on paper
48 x 31 cm (18 ⁷/₈ x 12 ¹/₄ inches)
Signed lower right, manzana.
Executed circa 1910 -
Georges Manzana Pissarro (1871 - 1961)
Odette aux seins nus
Mixed media and gold on paper
31.5 x 42.3 cm (12 ³/₈ x 16 ⁵/₈ inches)
Signed lower right, Manzana.
Executed circa 1910 -
Georges Manzana Pissarro (1871 - 1961)
Baigneuse dans un cours d'eau
Gouache on paper
49.5 x 36 cm (19 ¹/₂ x 14 ¹/₈ inches)
Signed lower left, manzana - Pissarro -
Georges Manzana Pissarro (1871 - 1961)
Femme au bord de la rivière
Gouache, pastel and silver paint on paper
29.7 x 44.4 cm (11 ³/₄ x 17 ¹/₂ inches)
Signed lower left, manzana. Pissarro.
Executed circa 1910
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Georges Manzana Pissarro (1871 - 1961)
Woman with a White Veil
Mixed media with gold and silver on board, laid on canvas
59.5 x 34.5 cm (23 ⅜ x 13 ⅝ inches)
Signed lower right, Manzana
Executed circa 1915 -
Georges Manzana Pissarro (1871 - 1961)
Femme en Costume Oriental
Pastel on paper
31.5 x 23.6 cm (12 ⅜ x 9 ¼ inches)
Signed with Estate stamp lower left
Executed circa 1925
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Georges Manzana Pissarro (1871 - 1961)
Moroccan Dancer
Watercolour, coloured crayon and pencil
26.3 x 20.2 cm ( 10 ⅜ x 8 inches)
Signed lower right, Manzana - Pissarro.
Executed circa 1940 -
Georges Manzana Pissarro (1871 - 1961)
Woman with Black Swans
Monotype
26.4 x 19.5 cm (10 ³/₈ x 7 ⁵/₈ inches)
Signed lower right, manzana
Executed circa 1906 -
Georges Manzana Pissarro (1871 - 1961)
Cou Cou nu et ses poules
Oil on panel
62 x 65 cm (24 ³/₈ x 25 ⁵/₈ inches)
Signed and dated lower left, Manzana 1935 -
Georges Manzana Pissarro (1871 - 1961)
Cat and Cockerel
Oil and gold on panel
65 x 94 cm (25 ⁵/₈ x 37 inches)
Signed and dated, Manzana Pissarro 1925 -
Georges Manzana Pissarro (1871 - 1961)
Coq et Poules
Oil on canvas
65 x 81 cm (25 ⁵/₈ x 31 ⁷/₈ inches)
Signed and dated lower right, G. Manzana. 00
Executed in 1900 -
Georges Manzana Pissarro (1871 - 1961)
Poisson d'Or
Oil and enamel paint on panel
32.5 x 41 cm (12 ³/₄ x 16 ¹/₈ inches)
Signed lower left Manzana
Executed circa 1920 -
Georges Manzana Pissarro (1871 - 1961)
Procede
Coloured monotype with gold, silver and pencil
24 x 30 cm (9¹/₂ x 11³/₄ inches)
Signed lower right, Manzana
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Georges Manzana Pissarro (1871 - 1961)
Les cygnes
Watercolour monotype
49 x 63 cm (19 ¹/₄ x 24 ³/₄ inches)
Signed lower left, manzana
Executed circa 1920 -
Georges Manzana Pissarro (1871 - 1961)
Peacocks
Pochoir
31.3 x 49.5 cm (12 ³/₈ x 19 ¹/₂ inches)
Signed with Estate stamp Manzana Pissarro and numbered 45/100 lower right -
Georges Manzana Pissarro (1871 - 1961)
Two Turkeys
Pochoir with hand-coloured metallic paint
42 x 59.5 cm (16 ½ x 23 ⅜ inches)
Signed with Estate stamp, lower left
Numbered 1/25 -
Georges Manzana Pissarro (1871 - 1961)
Les poules
Pochoir
30 x 46 cm (11 ³/₄ x 18 ¹/₈ inches)
Signed with Estate stamp Manzana Pissarro and numbered 7/100 lower left -
Georges Manzana Pissarro (1871 - 1961)
Deux chats
Gouache and gold on paper
28 x 45.3 cm (11 x 17 ⁷/₈ inches)
Stamped lower right, manzana - Pissarro.
Executed circa 1920 -
Georges Manzana Pissarro (1871 - 1961)
The Green Woodpecker
Pochoir
31 x 47 cm (12 ¹/₄ x 18 ¹/₂ inches)
Signed with Estate stamp and numbered lower left -
Georges Manzana Pissarro (1871 - 1961)
Decorative Squirrel Design
Pencil and watercolour on paper
45.4 x 32.4 cm (17 ⁷/₈ x 12 ³/₄)
Signed lower right Manzana Pissarro -
Georges Manzana Pissarro (1871 - 1961)
Turkey
Charcoal and colour pencil on paper
21.5 x 27 cm (8 ¹/₂ x 10 ⁵/₈ inches)
Stamped lower right, manzana - Pissarro -
Georges Manzana Pissarro (1871 - 1961)
Wild Ducks
Charcoal and pastel on paper
46 x 62 cm (18 ⅛ x 24 ⅜ inches)
Estate stamp lower left Manzana Pissarro
Executed circa 1920 -
Georges Manzana Pissarro (1871 - 1961)
Le Pékinois
Charcoal on paper
41 x 49 cm (16 ¹/₈ x 19 ¹/₄ inches)
Signed lower centre Manzana Pissarro
Executed circa 1920 -
Georges Manzana Pissarro (1871 - 1961)
Country Path with Red Roofs
Coloured crayon, pencil and charcoal on paper
32 x 24 cm (12 ⅝ x 9 ½ inches)
Signed with Estate Stamp lower right -
Georges Manzana Pissarro (1871 - 1961)
La Promenade
Charcoal and pastel on paper
49.5 x 63.5 cm (19 ⅜ x 25 inches)
Signed lower left, Manzana
Executed circa 1920 -
Georges Manzana Pissarro (1871 - 1961)
Le Petit Cheval
Charcoal and gold on paper
31 x 31 cm (12 ¼ x 12 ¼ inches)
Signed lower right, Manzana Pissarro
Executed circa 1920 -
Georges Manzana Pissarro (1871 - 1961)
Portrait of Félix
Coloured crayon and pencil on paper
20.5 x 26.5 cm (8 ¹/₈ x 10 ³/₈ inches)
Signed lower left, manzana.
Inscribed and dated lower right, Felix Casa. 1942.
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Georges Manzana Pissarro (1871 - 1961)
Portrait de Camille Pissarro à Éragny
Conté Pierre Noire on paper
29.2 x 24.2 cm (11 ¹/₂ x 9 ¹/₂ inches)
Signed lower left, manzana and titled lower right -
Georges Manzana Pissarro (1871 - 1961)
Roboa Sleeping (The Artist's Wife)
Charcoal on paper
20.4 x 31.2 cm (8 x 12 ¼ inches)
Signed lower centre, manzana. Pissarro
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Georges Manzana Pissarro (1871 - 1961)
Issy, France
Charcoal and coloured crayon on paper
20.4 x 25 cm (8 x 9 ⅞ inches)
Signed lower right Manzana and inscribed lower left Issy
Executed circa 1890 -
Georges Manzana Pissarro (1871 - 1961)
La Seine à Paris
Pencil on paper
22.5 x 28.3 cm (8 ⁷/₈ x 11 ¹/₈ inches)
Stamped lower right, Manzana-Pissarro
Executed circa 1930 -
Georges Manzana Pissarro (1871 - 1961)
Port Scene in Brittany
Charcoal on artist's board
50 x 66 cm (19 ³/₄ x 26 inches)
Signed on the reverse
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Georges Manzana Pissarro (1871 - 1961)
D'après Renoir
Pencil on paper
19.5 x 25.8 cm (7 ⁵/₈ x 10 ¹/₈ inches)
Titled and signed lower right -
Georges Manzana Pissarro (1871 - 1961)
Deux Bretonnes
Pastel on paper
26.5 x 34.6 cm (10 ⅜ x 13 ⅝ inches)
Signed and dated lower left, Manzana 1930
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Georges Manzana Pissarro (1871 - 1961)
Le Due Fait de la Peinture
27.5 X 18.3 cm (10 ⁷/₈ x 7 ¹/₄ inches)
Graphite and coloured crayon on paper
Inscribed upper left and signed lower right, manzana - Pissarro.
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Georges Manzana Pissarro (1871 - 1961)
Man with Camel and Donkey
Pastel and pencil on paper
18.4 x 27.3 cm (7 ¹/₄ x 10 ³/₄ inches)
Signed with Estate stamp lower right -
Georges Manzana Pissarro (1871 - 1961)
Turban
Colour crayon and pencil on paper
13.4 x 8.1 cm (5 ¹/₄ x 3 ¹/₄ inches)
Signed with Estate stamp lower right -
Georges Manzana Pissarro (1871 - 1961)
Red Fez Hat
Coloured crayon and pencil on paper
8.4 x 13.5 cm (3 ¹/₄ x 5 ¹/₄ inches)
Signed lower left with Estate stamp -
Georges Manzana Pissarro (1871 - 1961)
Jeune Orientale Assise
Charcoal on paper
63 x 50 cm (24 ³/₄ x 19 ³/₄ inches)
Signed lower right, manzana
Executed circa 1915 -
Georges Manzana Pissarro (1871 - 1961)
Moroccan Market
Pencil on paper
20.8 x 26.9 cm (8 ¹/₄ x 13 ⁵/₈ inches)
Signed with Estate stamp lower left
Executed circa 1940
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Georges Manzana Pissarro (1871 - 1961)
Moroccan Girl in Colourful Dress
Coloured crayon on paper
20.5 x 13 cm (8 ¹/₈ x 5 ¹/₈ inches)
Signed lower right, manzana
Inscribed lower left, maroc
Executed circa 1942 -
Georges Manzana Pissarro (1871 - 1961)
Undressing II
Pencil on paper
13.6 x 10.6 cm (5 ³/₈ x 4 ¹/₈ inches)
Signed with Estate stamp lower right, manzana- Pissarro -
Georges Manzana Pissarro (1871 - 1961)
Une Femme Turque
Charcoal on paper
47 x 30.5 cm (18 ¹/₂ x 12 inches)
Signed lower left, manzana
Executed circa 1910 -
Georges Manzana Pissarro (1871 - 1961)
La Bergère Turque
Etching
33.5 x 27 cm (13 ¼ x 10 ¾ inches)
Signed lower left, Manzana Pissarro, titled and inscribed lower right, État Définitif -
Georges Manzana Pissarro (1871 - 1961)
Fille au Pigeon
Etching & aquatint
36 x 13.8 cm (14 ⅛ x 5 ⅛ inches)
Signed with Estate stamp lower left -
Georges Manzana Pissarro (1871 - 1961)
Une femme, un chat et des souris
Etching
13.3 x 8.7 cm (5 ¹/₄ x 3 ³/₈ inches)
Signed on the plate with initials, GP and signed lower right, Georges Pissarro -
Georges Manzana Pissarro (1871 - 1961)
Une femme caressant un chat
Etching
11.8 x 8.8 cm (4 ⁵/₈ x 3 ¹/₂ inches)
Signed on the plate with initials lower right, CP and signed lower right, Georges Pissarro -
Georges Manzana Pissarro (1871 - 1961)
Une femme courant
Etching
16.5 x 11.5 cm (6 ¹/₂ x 4 ¹/₂ inches)
Signed on the plate with initials, GP
Signed lower right, Georges Pissarro -
Georges Manzana Pissarro (1871 - 1961)
Le chien de la colombe
Etching
10 x 9.3 cm (4 x 3 ⁵/₈ inches)
Signed on the plate with initials, GP and signed lower right, Georges Pissarro -
Georges Manzana Pissarro (1871 - 1961)
Les trois contes (Flaubert)
Etching
11.5 x 9.4 cm (4 ¹/₂ x 3 ³/₄ inches)
Signed on the plate with initials, GP
Inscribed, dated and signed
Executed in 1890
For more available works please contact us on stern@pissarro.com or +44 (0)20 7629 6662.
Like all second-generation Pissarro artists, Georges Henri ‘Manzana’ Pissarro initially worked under a pseudonym. Born in 1871, Manzana was the third of Camille Pissarro’s seven children, adopting the name ‘Manzana’ in 1894 after the maiden name of his maternal grandmother. It was not until around 1910, to honour his deceased father, that he employed his family name when signing his work.
Manzana studied with his father from an early age and spent his formative years surrounded by the distinguished artists associated with the Impressionist movement – Claude Monet, Paul Cézanne, and Paul Gauguin – who frequented the Pissarro home in Éragny. At his father's side he learnt not only to handle brush and pencil but also to observe nature and its changing qualities.
Subjected to rich and diverse influences, Manzana became a prolific and versatile artist, working with oil, pastel and watercolour as well as etchings, lithography and stencils. As a young man he adopted his father's purely Impressionist style and produced a series of landscapes around Éragny. He exhibited Impressionist works at the Salon d'Automne and the Salon des Indépendants, as well as Durand Ruel and Druet galleries in Paris in the early 1900s.
In 1906 his work began to evolve. Inspired by Dr Mardus’ French translation of ‘A Thousand and One Nights’, Manzana embarked on a grand project to publish his own illustrated version of these magical tales. This pulled Manzana into the umbrella of the decorative arts movement where he flourished creating tapestries, glassware, furniture, ceramics and metal work, all inspired by Orientalism and often incorporating gold, silver and copper paint. In 1907 he had his first exhibition of decorative works at Vollard but it was the 1914 exhibition at the Musée des Arts Décoratifs in Paris which dramatically boosted his career. Here he exhibited 311 works including tapestries, carpets, furniture, glassware, decorative paintings, etchings and lithographs.
The subsequent years were filled with bright ideas, gilded costumes and a glittering lifestyle as Manzana navigated the 20s and 30s between Les Andelys and Paris, spending many summers in Brittany. These culminated in a series of colourful yet delicate new works which Manzana exhibited prolifically. When war broke out in 1939 Manzana moved with his family to Casablanca, where he remained until 1947. Manzana was married and widowed three times. The last years of his life were spent in Menton with his son Félix who was also an accomplished artist. There Manzana returned to the Impressionist tradition of his early years, painting the serene landscapes that surrounded him.
Read more
Manzana studied with his father from an early age and spent his formative years surrounded by the distinguished artists associated with the Impressionist movement – Claude Monet, Paul Cézanne, and Paul Gauguin – who frequented the Pissarro home in Éragny. At his father's side he learnt not only to handle brush and pencil but also to observe nature and its changing qualities.
Subjected to rich and diverse influences, Manzana became a prolific and versatile artist, working with oil, pastel and watercolour as well as etchings, lithography and stencils. As a young man he adopted his father's purely Impressionist style and produced a series of landscapes around Éragny. He exhibited Impressionist works at the Salon d'Automne and the Salon des Indépendants, as well as Durand Ruel and Druet galleries in Paris in the early 1900s.
In 1906 his work began to evolve. Inspired by Dr Mardus’ French translation of ‘A Thousand and One Nights’, Manzana embarked on a grand project to publish his own illustrated version of these magical tales. This pulled Manzana into the umbrella of the decorative arts movement where he flourished creating tapestries, glassware, furniture, ceramics and metal work, all inspired by Orientalism and often incorporating gold, silver and copper paint. In 1907 he had his first exhibition of decorative works at Vollard but it was the 1914 exhibition at the Musée des Arts Décoratifs in Paris which dramatically boosted his career. Here he exhibited 311 works including tapestries, carpets, furniture, glassware, decorative paintings, etchings and lithographs.
The subsequent years were filled with bright ideas, gilded costumes and a glittering lifestyle as Manzana navigated the 20s and 30s between Les Andelys and Paris, spending many summers in Brittany. These culminated in a series of colourful yet delicate new works which Manzana exhibited prolifically. When war broke out in 1939 Manzana moved with his family to Casablanca, where he remained until 1947. Manzana was married and widowed three times. The last years of his life were spent in Menton with his son Félix who was also an accomplished artist. There Manzana returned to the Impressionist tradition of his early years, painting the serene landscapes that surrounded him.