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Hugues Claude Pissarro, also known as Isaac Pomié, is the grandson of Camille Pissarro and son of Paulémile Pissarro. Born in Neuilly-sur-Seine and immersed in an artistic environment, he spent his childhood with brushes in hand. Carrying on a family tradition established by Camille, Paulémile frequently took his son on painting excursions, accompanied by his numerous artist friends, and these proved formative to Hugues’s painterly development.
Initially taught by his father, Hugues first exhibited his work at the age of fourteen. He subsequently studied art in Paris at Ecole du Musée du Louvre and Ecole Normale Supérieur, an elite institution dedicated to the pursuit of academic achievement and excellence. This educational background led him to follow a long career as an art professor and, in 1965, accept an invitation to teach art in Monaco.
Throughout his teaching career, Hugues was also a prolific artist, exhibiting on several occasions in Paris and London. Like many of his family predecessors, the scope of his work and talent, as engraver, lithographer, author, landscape painter and portraitist, is wide ranging.
Hugues’s work has evolved through a variety of different styles and techniques, including abstract, avant-garde, minimalist and conceptual art. He is perhaps best known for his Impressionist-style works, known collectively as ‘Petit Claude’, which have been exhibited throughout the world since 1985.
At the end of 1989, Hugues began to develop a more contemporary style, known as ‘Grand Claude’, and he initially adopted the pseudonym Isaac Pomié to separate these works from his Impressionist ones. The contemporary works are distinguished by their large canvasses, which have become a trademark, and Hugues’s technique of applying colours with great speed, straight from the tube, to achieve a thick, robust texture. Further refinement is added by scraping away some of the paint once it dries, the end result having a remarkable effect. One of his artistic idiosyncrasies is to precede each painting by a small study, executed in oil or in mixed media.
Splitting his time between Ireland and Normandy, and working in self-imposed virtual solitude, Hugues still keeps abreast of events and developments in the art world. Indeed, he is a valued and respected contributor to several art publications.
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Le Cabanon de Colleville-sur-Mer Hugues Pissarro dit Pomié (b. 1935)
Ryes, Village de Philippe Riembault Hugues Pissarro dit Pomié (b. 1935)
Les Tulipes de Jean Pierre Hugues Pissarro dit Pomié (b. 1935)
La Falaise Hugues Pissarro dit Pomié (b. 1935)
Banc de Sable - Arromanches Hugues Pissarro dit Pomié (b. 1935)
Nue Debout Hugues Pissarro dit Pomié (b. 1935)