Gustave Loiseau (1865 - 1935)

Paysage de neige

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Oil on canvas
54.5 x 65.5 cm (21 ¹/₂ x 25 ³/₄ inches)
Signed and dated lower left, G. Loiseau 1911

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Provenance

Galerie Rämi, Zurich
Private collection, Switzerland
Description

This work is accompanied by a photo-certificate of authenticity issued by Didier Imbert.

Executed in 1911, Paysage de neige is a strong example of a Post-Impressionist snow scene, executed by Gustave Loiseau at the height of his artistic practice. It harnesses both the legacy of Loiseau’s Impressionist predecessors, while also establishing his individual identity.

After studying at the École Nationale Supérieure des Arts Décoratifs, Loiseau moved to Pont-Aven where he befriended the likes of Émile Bernard and Paul Gauguin. There, emersed in both the artistic community and picturesque scenery, Loiseau honed his skill as a landscape painter. Interested in the intricacies of capturing nature, he participated in Impressionists exhibitions of 1890 and 1896 and, from 1893, exhibited at the Salon des Indépendants. He was particularly inspired by the Impressionist tradition of painting en plein air, which allowed for the direct observation of nature. Through this technique, Loiseau was able to the translate the swift changes of light and weather before him, directly onto his canvas.

Scenes such as Paysage de neige are considered amongst the most challenging subjects to master due to snow’s reflective and luminous qualities. Loiseau’s palette is rich and full of depth, integrating flashes of blue, purple and maroon amongst the chalky patches of snow. We can see his characteristic cross hatched brushstrokes (en treillis), particularly visible towards the work’s foreground. The emphasis on texture here is contrasted against the background’s cloak of pale blue sky.

Textual contrast is a theme that the artist continually engages with throughout Paysage de neige’s composition. The rough masonry of the wall contrasts the languid, drawn-out strokes of the snowy pavement, whilst windblown trees sway against smooth, snowy rooftops. In this way, Loiseau achieves a stylistic balance, as well as a visual exploration between snow, street and sky.

Overall, Paysage de neige can be considered amongst the finest snow scenes painted by Loiseau. It is a masterclass in a highly-sought after genre and Post-Impressionist works of this subject matter and calibre rarely appear on the market.

Loiseau’s characteristic technique and acute observation have made his paintings highly regarded by institutions such as the Metropolitan Museum of Art in New York, the Museum of Fine Arts in Boston, the Albright-Knox Art Gallery in Buffalo, the Museo Thyssen-Bornemisza in Madrid, and the Fitzwilliam Museum at the University of Cambridge.

This original painting by Gustave Loiseau is available for sale.

Artist's Biography

Gustave Loiseau was born 3 October 1865 in Paris. A Post-Impressionist painter, he is remembered above all for his landscapes and scenes of Paris streets.

Brought up in Paris and Pontoise by parents who owned a butchers shop, Loiseau served an apprenticeship with a decorator who was a friend of the family. In 1887, when an inheritance from his grandmother allowed him to concentrate on painting, he enrolled at the École des arts décoratifs where he studied life drawing. However, a year later he left the school after an argument with his teacher.

While working as a decorator, Loiseau redecorated the apartment of the landscape painter Fernand Quignon (1854-1941). After he left the École des arts décoratifs, Quignon tutored him in painting. In 1890, he went to Pont-Aven in Brittany for the first time, fraternizing with the artists there, especially Paul Gauguin and Émile Bernard. After experimenting with Pointillism, he adopted his own approach to Post-Impressionism, painting landscapes directly from nature. His technique, known as en treillis or cross-hatching, gave his works a special quality.

Loiseau first exhibited at the Salon des Indépendants in 1893 and at the Salon de la Société Nationale in 1895. He also exhibited at Impressionist exhibitions in 1890 and 1896.

Loiseau's paintings, revealing his passion for the seasons from the beginning of spring to the harvests later in the autumn, often depict the same orchard or garden scene as time goes by. Series of this kind, which also include cliffs, harbours or churches, are reminiscent of Claude Monet. Although Loiseau did not complete many portraits, he often painted people at work: dockers together with their boats, villagers leaving a Sunday service in Brittany or arriving at the market in Pont-Aven, or even carriages in Paris driving across the Place de la Bastille and the Étoile. He is also remembered for his paintings of Paris streets such as the Rue de Clignancourt or the Avenue de Fiedland. From the 1920s, he painted many still-lifes.

Loiseau died 10 October 1935 in Paris.

Gustave Loiseau Gustave Loiseau (1865 - 1935)