Sonia Delaunay
1885 - 1979
Rythme Couleur
Gouache and graphite on paper
28.6 x 22.8 cm (11 ¹/₄ x 9 inches)
Signed in the centre, Sonia Delaunay
Executed circa 1970
28.6 x 22.8 cm (11 ¹/₄ x 9 inches)
Signed in the centre, Sonia Delaunay
Executed circa 1970
Jacques Damase, Paris, acquired as a gift directly from the artist
Private collection, by descent
Private collection, Europe, acquired from the above
Cornette de Saint Cyr, Paris, 27 June 2019
Private collection, France
Private collection, acquired from the above
Private collection, by descent
Private collection, Europe, acquired from the above
Cornette de Saint Cyr, Paris, 27 June 2019
Private collection, France
Private collection, acquired from the above
Marseille, #7 clous à Marselle, Sonia Delaunay: Le livre blanc, 27 January - 17 February 2019
This is an original artwork by Sonia Delaunay that comes from the 'Livre blanc', a book containing 38 gouaches, watercolours and drawings. This book was offered by Sonia Delaunay to the author and editor Jacques Damase.
This work is accompanied by a certificate of authenticity issued by Jean-Louis Delaunay.
This original artwork by Sonia Delaunay is available for immediate purchase.
This work is accompanied by a certificate of authenticity issued by Jean-Louis Delaunay.
This original artwork by Sonia Delaunay is available for immediate purchase.
Sonia Delaunay
biography
Born on the banks of the Dnieper River in present-day Ukraine, Sonia Delaunay was raised by her aunt and uncle in St Petersburg. At the age of eighteen she was enrolled at the Academy of Fine Arts in Karlsruhe, Germany, before moving to Paris to continue her studies at the progressive Académie de La Palette in Montparnasse. During her early years in Paris, she discovered her love for vivid paintings by the likes of Vincent Van Gogh and Henri Matisse.
In 1908 - in what is assumed to be a mutually beneficial marriage of convenience - Sonia married the German art dealer Wilhelm Uhde. Soon after meeting the French artist and ‘poet of colour’ Robert Delaunay, at Uhde’s Paris gallery near the Luxembourg Gardens, Sonia began an affair with him that would lead to her divorce from Uhde in 1910. The following year she gave birth to Delaunay’s son Charles.
In 1912, Delaunay and her husband Robert pioneered a style of colourful purely abstract painting known as Simultanism (or Orphism – an ambiguous term coined by their friend, the French poet Guillaume Apollinaire) – a style which they remained artistically faithful to throughout their lives. Over the following years Delaunay exhibited in Paris, Berlin and Stockholm, and on the outbreak of the First World War she and her family fled to neutral Portugal. They lived in the village of Vila do Conde, near Oporto, and were inspired by the warm, clear light of northern Portugal, which they captured in a series of paintings of country markets. After a sojourn in Spain - in Vigo - they returned to Portugal and lived in Valença do Minho until the beginning of 1918. Soon in need of a supplementary income, Delaunay began designing avant-garde costumes for the Russian ballet impresario Sergei Diaghilev.
Upon returning to Paris in 1921, she trademarked her colourful and geometric fabric designs and three years later launched a stylish fashion label worn by British socialite Hon. Nancy Cunard and Hollywood star Gloria Swanson. As Delaunay said, the Great Depression ‘liberated’ her from the demands of her fashion and interior design business, enabling her to quietly return to painting during the 1930s.
After the Second World War - and Robert’s death in 1941 - she became something of a French national treasure. In 1964 she was the first living female artist to have a prestigious retrospective of her work exhibited at the Louvre in Paris. Towards the end of her life, Delaunay – after inauguration into the French Legion of Honour and the well-received publication of her memoirs – even enjoyed a resurgence of commercial interest in her timeless fabric and homeware designs from the 1920s. Her major works feature in public collections across the world.
In 1908 - in what is assumed to be a mutually beneficial marriage of convenience - Sonia married the German art dealer Wilhelm Uhde. Soon after meeting the French artist and ‘poet of colour’ Robert Delaunay, at Uhde’s Paris gallery near the Luxembourg Gardens, Sonia began an affair with him that would lead to her divorce from Uhde in 1910. The following year she gave birth to Delaunay’s son Charles.
In 1912, Delaunay and her husband Robert pioneered a style of colourful purely abstract painting known as Simultanism (or Orphism – an ambiguous term coined by their friend, the French poet Guillaume Apollinaire) – a style which they remained artistically faithful to throughout their lives. Over the following years Delaunay exhibited in Paris, Berlin and Stockholm, and on the outbreak of the First World War she and her family fled to neutral Portugal. They lived in the village of Vila do Conde, near Oporto, and were inspired by the warm, clear light of northern Portugal, which they captured in a series of paintings of country markets. After a sojourn in Spain - in Vigo - they returned to Portugal and lived in Valença do Minho until the beginning of 1918. Soon in need of a supplementary income, Delaunay began designing avant-garde costumes for the Russian ballet impresario Sergei Diaghilev.
Upon returning to Paris in 1921, she trademarked her colourful and geometric fabric designs and three years later launched a stylish fashion label worn by British socialite Hon. Nancy Cunard and Hollywood star Gloria Swanson. As Delaunay said, the Great Depression ‘liberated’ her from the demands of her fashion and interior design business, enabling her to quietly return to painting during the 1930s.
After the Second World War - and Robert’s death in 1941 - she became something of a French national treasure. In 1964 she was the first living female artist to have a prestigious retrospective of her work exhibited at the Louvre in Paris. Towards the end of her life, Delaunay – after inauguration into the French Legion of Honour and the well-received publication of her memoirs – even enjoyed a resurgence of commercial interest in her timeless fabric and homeware designs from the 1920s. Her major works feature in public collections across the world.
Sonia Delaunay
biography
you may also like
Jean Dufy
1888 - 1964
Parade Mexicaine
Gouache on Ingres paper
45.1 x 55.6 cm (17 ³/₄ x 21 ⁷/₈ inches)
45.1 x 55.6 cm (17 ³/₄ x 21 ⁷/₈ inches)
Henri Hayden
1883 - 1970
Coquillage et réveil en rouge
Oil on paper laid down on isorel
33.5 x 46 cm (13 ¹/₄ x 18 ¹/₈ inches)
33.5 x 46 cm (13 ¹/₄ x 18 ¹/₈ inches)
Marc Chagall
1887 - 1985
Esquisse pour "Commedia dell'arte" (pour le foyer du théâtre de Francfort)
India ink, pen and pencil on paper
26.2 x 36.2 cm (10 ¹/₄ x 14 ¹/₄ inches)
26.2 x 36.2 cm (10 ¹/₄ x 14 ¹/₄ inches)
