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Lélia Pissarro, Contemporary (b. 1963 - )
Ontology of Love (To my Muse)Request Viewing
Acrylic and resin on canvas
65 x 81 cm (25 ⁵/₈ x 31 ⁷/₈ inches)
Signed lower left, Lélia Pissarro
Inscribed on the reverse
Executed in 2008
This work is accompanied by a certificate from the artist.
This painting part of the "Cracks" series made in 2008. Lélia Pissarro explains about this series "In each painting, I wanted the cracks to have a liaison between each other, to be close but not necessarily always connected. The cracks on the canvas are also restrained by the limitations of the canvas, which for me suggests the same way that our thoughts have our own limitations."
The cracks therefore appear like a grid, which represents the privacy of the individual being over existence.
Lélia goes further and concludes "For me, the cracks represent a virtual prison door behind which the intimacy of the individual is at times fragile, depicting the constant struggle between keeping or revealing confidences, being open or closed. This, I feel, is the choice of engaging in harmless, superficial talk or revealing the full depth of one's emotions, opening one's heart and therefore becoming vulnerable."
This original painting by Lélia Pissarro is available for immediate purchase.
Born in Paris in 1963, Lélia is the third and youngest child of Hugues-Claude and Katia Pissarro. She was raised, however, in the loving care of her grandparents Paulémile Pissarro, Camille’s youngest son, and his wife Yvonne, in Clécy, Normandy.
From a young age, Lélia’s interest in drawing and painting was nurtured by her grandfather while she sat beside him at his easel, captivated. He taught her the fundamental Impressionist and Post-Impressionist techniques he had learnt from his father and brothers before him and watched as her skills blossomed rapidly. Standing readily on the shoulders of giants, Lélia sold her first painting to New York art dealer Wally Findlay, when she was only four years of age.
When Lélia turned 11 she moved to Paris to live with her parents where, with the guiding support of her father’s teachings she began to broaden her skill sets. Under the watchful eye of her father Hughes Claude Pissarro, she became exposed to new environments and learnt to experiment with abstract styles and subjects. At age 14 Lélia submitted some of these works to the exhibition ‘Salon de la Jeune Peinture’ at the Luxembourg Museum in Paris. Being underage, however, she had to submit these works secretly under the pseudonym Rachel Manzana Pomié.
With her parents dividing their time between France and California, Lélia found herself moving between Tours, Paris and San Francisco, all the while studying fine art and psychology at the University des Beaux Arts. She eventually settled in Paris to teach art at the Moria School and study oil painting conservation under the guidance of a teacher from the Louvre museum. During this time she began to present her work in solo exhibitions in Paris, Lyon, Mulhouse and Rennes.
In 1988 Lélia married English art dealer David Stern and moved to London. Their three children Kalia, Lyora and Dotahn, all paved their own way in the art world. From 1995 Lélia participated in a series of exhibitions entitled Pissarro – The Four Generations, which were held in galleries in London, Tel Aviv, Boston, Austin, San Francisco, Cleveland, Milwaukee and Los Angeles as well as a number of museums in Japan in 1998 and the Museum of Art in Fort Lauderdale, Florida in 2000. In 1999 Lélia also became one of the founders of the Sorteval Press, a group of artists dedicated to developing techniques in etching and printmaking. Their first exhibition took place at the Mall Gallery in London.
In 2005 following a long break in painting because of cancer, Lélia started a journey into modern art creating a number of different series: Circles, Shoes, Animals, exploring these until she reached the point of abstraction and minimalism. Developing innovative techniques, she began incorporating in her work new materials such as gold, wax and encaustic paint.
To coincide with a major exhibition at Stern Pissarro gallery in 2010 a book entitled The Colours of Silence was published on her entire career, documenting the steps in Lélia’s life story while offering a retrospective view of her works which amply attest to her artistic diversity and sustained spirit of adventure.
Working today from her London studio located by Richmond Park and the river Thames, Lélia upholds the legacy of painting en plein-air while simultaneously continuing to explore modern techniques. She works dedicatedly on a selection of different series all borne out of her home studio - a carefully crafted space designed to meet her evolving requirements.
Besides her work as a painter, today Lélia is also a partner in Stern Pissarro Gallery and is the official expert for the work of her grandfather Paulémile Pissarro, as well her great uncles Manzana and Ludovic Rodo Pissarro. Amidst all this, Lélia still finds a way to make time to devote herself to another great passion, teaching.
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