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Galerie Rämi, Zurich
Private collection, Switzerland
Impressionist Snow paintings are extremely popular and very collectible and the snowscapes painted by Loiseau are very sought-after as they are reminiscent of the greatest masterpieces of this genre painted by Monet, Sisley, and Pissarro.
Gustave Loiseau grew up between Paris and Pontoise. Like many of the Impressionists, he favored the "plein air" approach of painting. Loiseau’s paintings have a naturalistic style using crosshatched brushstrokes to reveal light and shape to his landscapes.
This work is one of the best snow paintings we have seen by the artist. It has a beautiful texture and is very colourful for a snow painting. Works by Loiseau belong to esteemed collections such as those of the Metropolitan Museum of Art in New York, the Museum of Fine Arts in Boston, the Albright-Knox Art Gallery in Buffalo, the Museo Thyssen-Bornemisza in Madrid, or closer to us here in the UK the Fitzwilliam Museum at the University of Cambridge. Some of his paintings can fetch prices above half a million dollars and this work offers very good value. This original work of art by Gustave Loiseau is available for immediate purchase.
Gustave Loiseau was born 3 October 1865 in Paris. A Post-Impressionist painter, he is remembered above all for his landscapes and scenes of Paris streets.
Brought up in Paris and Pontoise by parents who owned a butchers shop, Loiseau served an apprenticeship with a decorator who was a friend of the family. In 1887, when an inheritance from his grandmother allowed him to concentrate on painting, he enrolled at the École des arts décoratifs where he studied life drawing. However, a year later he left the school after an argument with his teacher.
While working as a decorator, Loiseau redecorated the apartment of the landscape painter Fernand Quignon (1854-1941). After he left the École des arts décoratifs, Quignon tutored him in painting. In 1890, he went to Pont-Aven in Brittany for the first time, fraternizing with the artists there, especially Paul Gauguin and Émile Bernard. After experimenting with Pointillism, he adopted his own approach to Post-Impressionism, painting landscapes directly from nature. His technique, known as en treillis or cross-hatching, gave his works a special quality.
Loiseau first exhibited at the Salon des Indépendants in 1893 and at the Salon de la Société Nationale in 1895. He also exhibited at Impressionist exhibitions in 1890 and 1896.
Loiseau's paintings, revealing his passion for the seasons from the beginning of spring to the harvests later in the autumn, often depict the same orchard or garden scene as time goes by. Series of this kind, which also include cliffs, harbours or churches, are reminiscent of Claude Monet. Although Loiseau did not complete many portraits, he often painted people at work: dockers together with their boats, villagers leaving a Sunday service in Brittany or arriving at the market in Pont-Aven, or even carriages in Paris driving across the Place de la Bastille and the Étoile. He is also remembered for his paintings of Paris streets such as the Rue de Clignancourt or the Avenue de Fiedland. From the 1920s, he painted many still-lifes.
Loiseau died 10 October 1935 in Paris.
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