Louis Hayet
1864 - 1940
Sur les Champs-Elysées
16 x 24 cm (6 ¹/₄ x 9 ¹/₂ inches)
Signed lower right
Executed circa 1888
Private collection, France, acquired from the above in 1993
Louis Hayet
biography
Eventually joining with the Neo-Impressionist group of painters centred upon Camille Pissarro, Paul Signac and Georges Seurat, Hayet’s inherent predisposition for painting revealed itself as he experimented with colour, texture and light. Hayet established a friendship with Camille Pissarro, and Pissarro’s eldest son Lucien, a year after moving to Paris in 1885.
Curiously, Paul Signac removed mention of Hayet from the Pointillism manifesto. Yet, from his studios at Montmartre and La Frette, Hayet was a prolific artist who produced a diverse body of work that always sought to be true to the nature of colour itself.
Bearing the influence of Seurat, Hayet would often work en plein air with a fast-moving, decided technique that foreshadowed the evolution from Impressionism to Neo-Impressionism. He was drawn to themes such as the circus, modern urban scenes and landscapes.
The science-based principles of Neo-Impressionism followed Hayet to the end of his painting career, after which he dedicated his time to scientific research into pigments.
Louis Hayet
biography
you may also like
1864 - 1940
Passants sous la pluie, Paris
19.5 x 27.6 cm (7 ⁵/₈ x 10 ⁷/₈ inches)
1878 - 1941
La Seine et la Tour Eiffel, vue d'un balcon
33 x 66 cm (13 x 26 inches)
1887 - 1985
Esquisse pour "Commedia dell'arte" (pour le foyer du théâtre de Francfort)
26.2 x 36.2 cm (10 ¹/₄ x 14 ¹/₄ inches)
1860 - 1943
L'Église de Labastide-du-Vert
117 x 95 cm (46 x 37 ³/₈ inches)
1935
Le Jardin Extraordinaire
162.1 x 130.3 cm (63 ⁷/₈ x 51 ¹/₄ inches)