H. Claude Pissarro (b. 1935 - )
- AVAILABLE ARTWORKS FOR SALE
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H. Claude Pissarro (b. 1935 - )Beau Temps à Clécy
Oil on canvas
50 x 61 cm (19 ³/₄ x 24 inches)
Signed lower right, H. Claude Pissarro -
H. Claude Pissarro (b. 1935 - )Le Pain de Sucre (Clécy-Normandie)
Oil on canvas
46 x 55 cm (18 ¹/₈ x 21 ⁵/₈ inches)
Signed lower right, H.Claude Pissarro -
H. Claude Pissarro (b. 1935 - )La Voile Rose (Cognac)
Oil on canvas
50 x 61 cm (19 ³/₄ x 24 inches)
Signed lower left, H. Claude Pissarro -
H. Claude Pissarro (b. 1935 - )Sieste au Jardin Public
Oil on canvas
46 x 55 cm (18 ¹/₈ x 21 ⁵/₈ inches)
Signed lower right, H. Claude Pissarro -
H. Claude Pissarro (b. 1935 - )Le Père Heudiard en Barque au Barrage du Vey
Oil on canvas
46 x 55 cm (18 ¹/₈ x 21 ⁵/₈ inches)
Signed lower right, H. Claude Pissarro -
H. Claude Pissarro (b. 1935 - )L'Heure de la Promenade (Monte-Carlo)
Oil on canvas
50 x 61 cm (19 ³/₄ x 24 inches)
Signed lower right, H. Claude Pissarro
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H. Claude Pissarro (b. 1935 - )La Rade; Temps Gris
Oil on canvas
50 x 61 cm (19 ³/₄ x 24 inches)
Signed lower left, H. Claude Pissarro
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H. Claude Pissarro (b. 1935 - )Les Peupliers de Béthunes
Oil on canvas
50 x 61 cm (19 ³/₄ x 24 inches)
Signed lower left, H. Claude Pissarro -
H. Claude Pissarro (b. 1935 - )L'Orme du Moulin
Oil on canvas
81.2 x 100.3 cm (32 x 39 ¹/₂ inches)
Signed lower left, H. Claude Pissarro; signed and titled on the reverse -
H. Claude Pissarro (b. 1935 - )La Tour-Eiffel sous la neige (Paris)
Oil on canvas
38 x 46 cm (15 x 18 ¹/₈ inches)
Signed lower right, H. Claude Pissarro -
H. Claude Pissarro (b. 1935 - )Le Petit Pont des Deux Louises, Oussy (Seine et Marne)
Oil on canvas
50 x 61 cm (19 ³/₄ x 24 inches)
Signed lower left, H. Claude Pissarro -
H. Claude Pissarro (b. 1935 - )Neige au Manoir de Miettes (Le Parapluie Bleu)
Oil on canvas
50 x 61 cm (19 ³/₄ x 24 inches)
Signed lower left, H. Claude Pissarro -
H. Claude Pissarro (b. 1935 - )Le Mois des Moissons, Environs de Meulan
Oil on canvas
50 x 61 cm (19 ³/₄ x 24 inches)
Signed lower right, H. Claude Pissarro -
H. Claude Pissarro (b. 1935 - )Moisson à Saint-Omer
Oil on canvas
65 x 54 cm (25 ⁵/₈ x 21 ¹/₄ inches)
Signed lower left, H. Claude Pissarro
Signed and titled on the reverse -
H. Claude Pissarro (b. 1935 - )Les Tourelles (Le Vey-Clécy, Normandie)
Oil on canvas
50 x 61 cm (19 ³/₄ x 24 inches)
Signed lower right, H. Claude Pissarro
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H. Claude Pissarro (b. 1935 - )Marseille
Pastel on card
37 x 51 cm (14 ⅝ x 20 ⅛ inches)
Signed lower left, H. Claude Pissarro -
H. Claude Pissarro (b. 1935 - )La Plage d'Houlgate en Auge (Normandie)
Oil on canvas
46 x 55 cm (18 ⅛ x 21 ⅝ inches)
Signed lower right, H. Claude Pissarro
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H. Claude Pissarro (b. 1935 - )Robes Blanches à Trouville
Pastel on card
37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches)
Signed lower left, H. Claude Pissarro -
H. Claude Pissarro (b. 1935 - )Blois, la Grand'Rue
Oil on canvas
50 x 61 cm (19 ¾ x 24 inches)
Signed lower right, H. Claude Pissarro
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H. Claude Pissarro (b. 1935 - )Vue des Grands Boulevards à Paris
Pastel on card
37 x 50 cm (14 ⅝ x 19 ⅝ inches)
Signed lower right, H. Claude Pissarro
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H. Claude Pissarro (b. 1935 - )L'Autobus à Imperial du Boulevard Malsherbes
Pastel on card
37 x 51 cm (14 ⅝ x 20 ⅛ inches)
Signed lower right, H. Claude Pissarro -
H. Claude Pissarro (b. 1935 - )Le Café Georges à Cannes
Pastel on card
37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches)
Signed lower left, H. Claude Pissarro -
H. Claude Pissarro (b. 1935 - )Les Parasols Blancs - Montmartre
Pastel on card
51 x 37 cm (20 ⅛ x 14 ⅝ inches)
Signed lower middle, H. Claude Pissarro -
H. Claude Pissarro (b. 1935 - )Place Vendôme
Pastel on card
37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches)
Signed lower right, H. Claude Pissarro -
H. Claude Pissarro (b. 1935 - )Les Équipages de l'Allée Acacias
Pastel on card
37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches)
Signed lower left, H. Claude Pissarro -
H. Claude Pissarro (b. 1935 - )Battage a la Taillerie
Pastel on card
37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches)
Signed lower left, H. Claude Pissarro -
H. Claude Pissarro (b. 1935 - )Rue de la Mer
Pastel on card
37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches)
Signed lower right, H. Claude Pissarro -
H. Claude Pissarro (b. 1935 - )La Marne à Lagny (Quai de la Gourdine)
Pastel on card
37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches)
Signed lower left, H. Claude Pissarro -
H. Claude Pissarro (b. 1935 - )L'Étang Rivon (Forêt de Rambouillet)
Pastel on card
37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches)
Signed lower right, H. Claude Pissarro -
H. Claude Pissarro (b. 1935 - )Dimanche à Robinson
Pastel on card
37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches)
Signed lower left, H. Claude Pissarro -
H. Claude Pissarro (b. 1935 - )L'Aloés de la Calanque - Bréhat
Pastel on card
51 x 37 cm (20 ¹/₈ x 14 ⁵/₈ inches)
Signed lower left, H. Claude Pissarro -
H. Claude Pissarro (b. 1935 - )Paysage
Pastel on card
24 x 14 cm (9 ¹/₂ x 5 ¹/₂ inches)
Signed lower left, H. Claude Pissarro -
H. Claude Pissarro (b. 1935 - )Tournesols
Pastel on card
51 x 37 cm (20 ¹/₈ x 14 ⁵/₈ inches)
Signed lower right, H. Claude Pissarro -
H. Claude Pissarro (b. 1935 - )Ponton
Pastel on card
37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches)
Signed lower right, H. Claude Pissarro -
H. Claude Pissarro (b. 1935 - )L'Allée des Palmiers (Cannes)
Pastel on card
37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches)
Signed lower right, H. Claude Pissarro -
H. Claude Pissarro (b. 1935 - )Honfleur - Les Chaluts Verts
Pastel on card
37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches)
Signed lower left, H. Claude Pissarro -
H. Claude Pissarro (b. 1935 - )Paris - Porte Saint Martin
Pastel on card
37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches)
Signed lower right, H. Claude Pissarro -
H. Claude Pissarro (b. 1935 - )Les Autobus du Boulevard Bonne-Nouvelle
Pastel on card
37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches)
Signed lower left, H. Claude Pissarro -
H. Claude Pissarro (b. 1935 - )Les Tilleuls de L'Avenue de la Mer
Pastel on card
37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches)
Signed lower right, H. Claude Pissarro
For more available works please contact us on stern@pissarro.com or +44 (0)20 7629 6662.
Hugues Claude Pissarro, also known professionally as H. Claude Pissarro, is the grandson of the Impressionist painter Camille Pissarro and son of Paulémile Pissarro. Born in Neuilly-sur-Seine and enveloped in an artistic environment, he inevitably spent his childhood and youth with brushes in hand. Carrying on the family tradition established by Camille Pissarro, H. Claude’s father frequently took his son on painting excursions, often accompanied by his numerous artistic friends which proved formative for him.
Initially taught by his father, H. Claude first exhibited his work at the age of fourteen. He subsequently studied art in Paris at prestigious establishments, in particular the École Normale Supérieure, a unique French institution dedicated to the pursuit of achievement and excellence to which only the academic elite have access. He also studied art restoration under Henri Linard, head of the laboratory at the Musée du Louvre. It was inevitable that this educational background would lead him to become a professor of art for much of his professional life and in 1963 he accepted an official invitation to teach art in Monaco.
Throughout his teaching career he remained a prolific artist, exhibiting on several occasions in Paris and London. As with many of his family predecessors, the scope of his work and talent is wide-ranging: from engraver, lithographer, publisher and landscape painter to portraitist. He was even commissioned in 1959 to paint a portrait of President Eisenhower.
H. Claude’s work has evolved through a variety of different styles and techniques, including abstract, avant-garde, minimalist and conceptual art. However, he is now perhaps best known for his Post-Impressionist-style works, which have been exhibited throughout the world since 1985.
Son of Paulémile and grandson of Camille Pissarro, H. Claude’s work reflects influences from wider sources within post-impressionism. His use of pastels gives his work a unique feel, one not replicated by any other artist, perhaps because these works are so labour intensive.
Although H. Claude has been living in Ireland for almost thirty years, his subjects are drawn largely from his native France, a country where beauty can be found wherever you look: French villages, landscapes, river scenes, coastal views and urban scenes, with the works of Paris being probably his most collectable subject. Occasionally he is tempted by Venice or London, two cities he loves.
In these post-impressionist works, his aim is to capture the romantic past, a world which no longer exists, where horses and carts thronged the streets and cars were a new invention. His figures are dressed in 19th-century fashion and so we are taken on a journey back in time.
H. Claude’s work has been collected throughout the world and it is amazing to see that in his 85th year he remains as active as ever, painting with passion and determination in what is for him a way of life.
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Initially taught by his father, H. Claude first exhibited his work at the age of fourteen. He subsequently studied art in Paris at prestigious establishments, in particular the École Normale Supérieure, a unique French institution dedicated to the pursuit of achievement and excellence to which only the academic elite have access. He also studied art restoration under Henri Linard, head of the laboratory at the Musée du Louvre. It was inevitable that this educational background would lead him to become a professor of art for much of his professional life and in 1963 he accepted an official invitation to teach art in Monaco.
Throughout his teaching career he remained a prolific artist, exhibiting on several occasions in Paris and London. As with many of his family predecessors, the scope of his work and talent is wide-ranging: from engraver, lithographer, publisher and landscape painter to portraitist. He was even commissioned in 1959 to paint a portrait of President Eisenhower.
H. Claude’s work has evolved through a variety of different styles and techniques, including abstract, avant-garde, minimalist and conceptual art. However, he is now perhaps best known for his Post-Impressionist-style works, which have been exhibited throughout the world since 1985.
Son of Paulémile and grandson of Camille Pissarro, H. Claude’s work reflects influences from wider sources within post-impressionism. His use of pastels gives his work a unique feel, one not replicated by any other artist, perhaps because these works are so labour intensive.
Although H. Claude has been living in Ireland for almost thirty years, his subjects are drawn largely from his native France, a country where beauty can be found wherever you look: French villages, landscapes, river scenes, coastal views and urban scenes, with the works of Paris being probably his most collectable subject. Occasionally he is tempted by Venice or London, two cities he loves.
In these post-impressionist works, his aim is to capture the romantic past, a world which no longer exists, where horses and carts thronged the streets and cars were a new invention. His figures are dressed in 19th-century fashion and so we are taken on a journey back in time.
H. Claude’s work has been collected throughout the world and it is amazing to see that in his 85th year he remains as active as ever, painting with passion and determination in what is for him a way of life.
